Kyoto: 'total thrill ride' explores pivotal climate change conference
Play centres on 'cut-throat diplomacy' surrounding the United Nations
Joe Murphy and Joe Robertson's play Kyoto – first seen at the RSC in Stratford – is set at the UN Climate Change Conference in 1997, when countries around the world agreed the first international treaty on curbing greenhouse gas emissions.
Let's face it, this set-up sounds painfully worthy and dull, said Andrzej Lukowski in Time Out; yet the play turns out to be almost "indecently entertaining".
Wittily staged by Stephen Daldry and Justin Martin, Kyoto features "globe-hopping storytelling", a "dizzying array" of compelling characters, and is a "total thrill ride". Any drama about such a complex event – the play covers ten years of negotiation leading up to Kyoto – will likely rely on a narrator to guide the audience through, said David Benedict in Variety.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
In a "wearyingly earnest" play about the Kyoto Protocol, that role would be taken by a heroic figure, "preaching to the choir" about the wickedness of Big Oil; Murphy and Robertson's "masterstroke" is to "banish" that expectation, and instead have the story told by a villain. Don Pearlman was a real-life American lawyer and lobbyist who was in the pay of the "seven sisters" group of major oil companies, and who sought to frustrate the deal. The upshot is a pacey, "race-to-the-finish thriller", in which the real subject is not the environment, but "cut-throat diplomacy".
Like a "leaner, more venal Richard III, Stephen Kunken's Pearlman casts the audience almost as co-conspirators" in his Machiavellian dealings, said Claire Allfree in The Telegraph. Yet he comes across more as an "outsized figure of disruptive fun" than as the dangerous player he was; and in its broad-brush approach, the play ducks some of the questions it raises about the American "freedom" Pearlman seems to want to protect, and the hypocrisy of the liberal West, when it comes to air travel, aircon and so on.
The play doesn't even have much to say about climate change and its impacts. Still, that it is so consistently gripping is "a triumph against the odds to match the Protocol itself".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Homes with great fireplacesFeature Featuring a suspended fireplace in Washington and two-sided Parisian fireplace in Florida
-
Is $140,000 the real poverty line?Feature Financial hardship is wearing Americans down, and the break-even point for many families keeps rising
-
Film reviews: ‘The Secret Agent’ and ‘Zootopia 2’Feature A Brazilian man living in a brutal era seeks answers and survival and Judy and Nick fight again for animal justice
-
Homes with great fireplacesFeature Featuring a suspended fireplace in Washington and two-sided Parisian fireplace in Florida
-
Film reviews: ‘The Secret Agent’ and ‘Zootopia 2’Feature A Brazilian man living in a brutal era seeks answers and survival and Judy and Nick fight again for animal justice
-
Wake Up Dead Man: ‘arch and witty’ Knives Out sequelThe Week Recommends Daniel Craig returns for the ‘excellent’ third instalment of the murder mystery film series
-
Zootropolis 2: a ‘perky and amusing’ movieThe Week Recommends The talking animals return in a family-friendly sequel
-
Storyteller: a ‘fitting tribute’ to Robert Louis StevensonThe Week Recommends Leo Damrosch’s ‘valuable’ biography of the man behind Treasure Island
-
The rapid-fire brilliance of Tom StoppardIn the Spotlight The 88-year-old was a playwright of dazzling wit and complex ideas
-
‘Mexico: A 500-Year History’ by Paul Gillingham and ‘When Caesar Was King: How Sid Caesar Reinvented American Comedy’ by David Margolickfeature A chronicle of Mexico’s shifts in power and how Sid Caesar shaped the early days of television
-
Homes by renowned architectsFeature Featuring a Leonard Willeke Tudor Revival in Detroit and modern John Storyk design in Woodstock