Lyonesse review: an 'utter embarrassment' all round
Kristin Scott Thomas and Lily James are 'hamstrung' by an incoherent script

"Very occasionally, a play comes along that is so weirdly inept that you don't quite know how to respond," said Clive Davis in The Times. Were you to stumble across Penelope Skinner's "shambles" of a play at the Edinburgh Fringe, "you could put it down to an undergrad experiment". To find it in the West End – with Kristin Scott Thomas and Lily James in lead roles – is baffling and infuriating, when you consider how much theatregoers will have paid to see it, many lured by the presence of two stars who are incapable of redeeming the material. Scott Thomas, playing a once-famous actress who now lives as a virtual recluse in Cornwall, "exhibits no gift for comic timing, but simply raises her voice and hopes for the best". James, as the film executive sent to extract her life story, "looks out of her depth throughout". It's an "utter embarrassment" all round.
I didn't think the performances were the problem, said Arifa Akbar in The Guardian. Scott Thomas is charming as the eccentric actress, who took flight from a controlling partner years ago, and who here acts out her past for the visiting executive. And James convinces as the ambitious young mother, who is herself in a toxic relationship. But neither character is properly developed and both stars are "hamstrung" by an incoherent script that speaks "its themes through exposition".
These themes arrive thick and fast, said Matt Wolf in The New York Times. Over its nearly three hours, "#MeToo, cancel culture, the tyranny of men" and many others are covered in a play that veers awkwardly between "near-slapstick" and "speechifying". Watching it is like "tumbling down a never-ending rabbit hole of bewilderment", said Fiona Mountford in The i Paper. It is "the most barking play the West End has seen in a long time".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
My suspicion is that Skinner was aiming for absurdism, said Nick Curtis in the Evening Standard. Sadly, what she has ended up with is more an "assemblage of half-baked ideas and lazy conceits". The mystery is why two big name actors (and director Ian Rickson) signed up to it. "As star vehicles go, it's a car crash."
Harold Pinter Theatre, London SW1 (0844-871 7627; lyonesseonstage.com). Until 23 December. Rating *: stars reflect the overall quality of reviews and our own independent assessment (5 stars=don't miss; 1 star=don't bother)
Sign up to The Week's Arts & Life newsletter for reviews and recommendations
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
What are blue slips and why does Trump want to end them?
Today's Big Question The practice lets senators block a president's judge and prosecutor nominees
-
What are 'freakosystems' and how are they affecting the planet?
The explainer Ecosystems are changing permanently
-
'The question is what it does for the ecosystem'
Instant Opinion Opinion, comment and editorials of the day
-
Ford Ranger Plug-in Hybrid: 'more than just a novelty'
The Week Recommends Europe's first plug-in hybrid pickup is 'surprisingly agile'
-
6 lush homes in the trees
Feature Featuring a glass house in Texas and a home built for a Broncos quarterback in Colorado
-
Brooklyn vs. the Beckhams: trouble in paradise
In the Spotlight Scion of the Beckham clan and billionaire heiress wife Nicola Peltz staged an elaborate vow renewal – and none of his family were on the guest list
-
Alien: Earth – a 'bold' prequel to the space horror classic
The Week Recommends Set two years before Alien, new Disney show pays 'homage' to the original
-
Music reviews: Ethel Cain, Amaarae, and The Black Keys
Feature "Willoughby Tucker, I'll Always Love You," "Black Star," and "No Rain, No Flowers"
-
Film reviews: Highest 2 Lowest and Weapons
Feature A kidnapping threatens a mogul's legacy and a town spins into madness after 17 children disappear
-
Book reviews: 'King of Kings: The Iranian Revolution' and 'Gwyneth: The Biography'
Feature How the Iranian Revolution began and Gwyneth Paltrow's life in the spotlight
-
Garrett Graff's 6 favorite books that shine new light on World War II
Feature The author recommends works by James D. Hornfischer, Craig L. Symonds, and more