Shifty: a 'kaleidoscopic' portrait of late 20th-century Britain
Adam Curtis' 'wickedly funny' documentary charts the country's decline using archive footage

For his last film, "Russia 1985-1999: TraumaZone", Adam Curtis "used archive footage and an increasingly abstract editing style" to portray the collapse of the Soviet Union, said Aris Roussinos on UnHerd. It showed political leaders detached from reality, a population that had lost faith in the system, and corrupt oligarchs. His latest series deploys the same techniques to tell the story of the UK from 1979 to the end of the 20th century.
The story that unfolds in "Shifty" is one of national decline, said Chris Bennion in The Daily Telegraph. Its message is that, since the election of Margaret Thatcher, "extreme money" and "hyper-individualism" have destroyed the fabric of British society and left the country "fragmented, atomised and siloed".
Curtis relates this through a bombardment of news footage, TV clips and pop videos, relying on subtitles to shape his narrative. It jumps all over the place: a segment on Thatcher's failed monetarist policies, for instance, also takes in clips of the production line at a crisp factory, the National Front and a "transgender dog"; all this may sometimes leave you "scratching your head".
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Curtis's arguments can seem reductive, said Dan Einav in the Financial Times. Key moments in British history "are boiled down to cherry-picked extracts" or spun into "seemingly unrelated tangents". But this is not a historical documentary, rather "a kaleidoscopic immersion in time and place" that captures a nation riven by contradiction. It's also "wickedly funny" at times, and balances its pessimism "with a genuine fondness for this curious country".
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Stereophonic: an 'extraordinary, electrifying odyssey'
The Week Recommends David Adjmi's Broadway hit about a 1970s rock band struggling to record their second album comes to the West End
-
June 19 editorial cartoons
Thursday’s political cartoons include a robot therapist and ICE-cold assault
-
What would a US strike on Iran mean for the Middle East?
TODAY'S BIG QUESTION A precise attack could break Iran's nuclear programme – or pull the US and its allies into a drawn-out war even more damaging than Iraq or Afghanistan
-
Stereophonic: an 'extraordinary, electrifying odyssey'
The Week Recommends David Adjmi's Broadway hit about a 1970s rock band struggling to record their second album comes to the West End
-
Lollipop: a single mother trapped in a 'hellish catch-22'
The Week Recommends Daisy May Hudson's moving debut feature is a gut puncher in the Ken Loach tradition
-
Marfa, Texas: Big skies, fine art, and great eating
Feature A cozy neighborhood spot, a James Beard semifinalists, and more
-
6 light-filled homes on the Jersey Shore
Feature Featuring a Victorian with a wraparound porch in Beach Haven and a condo with ocean views in Asbury Park
-
This week's dream: Exploring Rome's underground
Feature Beneath Rome's iconic landmarks lies a hidden world
-
Art review: Adrien Brody: Made in America
Feature Eden Gallery, New York City, through June 28
-
Film reviews: The Life of Chuck, How to Train Your Dragon, and From the World of John Wick: Ballerina
Feature A backward trip through one ordinary life, a young Viking tames a monstrous foe, the franchise's new assassin chases revenge
-
John Kenney's 6 favorite books that will break your heart softly
Feature The novelist recommends works by John le Carré, John Kennedy Toole, and more