Stephen Colbert is as horrified by the 'creepy clown' epidemic as you are
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
Stephen Colbert said on Wednesday's Late Show that he has been avoiding a certain story for months because "it contains a disturbing level of clown." In fact, he said, "parents may want to send children out of the room, and then leave the room yourself." A nationwide epidemic of "evil clown" sightings apparently started in South Carolina, and has now spread far and wide. Adults, children, "everyone is scared of clowns," Colbert said to any viewers left in the room. "In fact, the only thing creepier than a clown is someone who laughs at clowns: 'Haha, he's dressed like he's poor. And look at his swollen feet, there's something seriously wrong with him. Haha!'"
Colbert walked his viewers through the rash of "creepy clown" appearances, real and imagined, then noted that actual professional clowns are now fearing for their safety and livelihood, thanks to these malevolent impostors. "I feel for these clowns," Colbert said, changing his tune. "They're just trying to entertain us, they shouldn't have to answer for the actions of a few insane posses." He ended the segment with a PSA about treating clowns with the dignity they deserve. Watch below. Peter Weber
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.
