Stephen Colbert uses zombies, Nazi jokes to highlight the seriousness of Trump's 'kamikaze press conference'

Surprisingly, there may be prominent American leaders who don't hate Nazis as much as you'd expect in 2017. But everybody hates zombies, right? To emphasize how President Trump's comments Tuesday about the neo-Nazis, white supremacists, and other "alt-right" marchers who descended on Charlottesville, Virginia, last weekend might sound to those who unequivocally oppose white supremacy, The Late Show re-enacted Trump's press conference almost verbatim, but placed them in another context.
Stephen Colbert was slightly less subtle in his monologue on Wednesday, starting out by noting he is still reeling from Trump's "kamikaze press conference yesterday, where Donald let Donald be Donald, the consequences and our country be damned, and it was truly one for the ages — specifically, 1939 to 1945." He ran through some of Trump's comments, noted that Trump seemed to be pleased with them even if his staff was not, and compared Trump to a racist grandfather who shouldn't be speaking his mind in public places.
"In the wake of the furor Trump caused by channeling the Führer, the White House was desperate to get Republicans on board the flaming wreckage that was the SS Hinden-tanic by releasing talking points to Congress," Colbert said, indicating he was not impressed with the messaging. "But not every Republican followed the talking points," he said, showing a John Kasich interview and cheering, and then playing the second half. "Kasich is not the only profile in thinking about courage here," he said. "So far, the GOP's actions have spoken way more flaccid than words."
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Still, "there was one group that really basked in the radioactive glow of the unshielded core of yesterday's Trump dump," Colbert noted. "Wow, David Duke complimenting your courage — that's like Jeffrey Dahmer complimenting your cooking: He means well, but it's a little upsetting." Watch below. Peter Weber
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Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.
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