BBC spoofs itself in W1A: brave satire or sheer self-indulgence?
Team from Twenty Twelve moves effortlessly from Games into New Broadcasting House
WHEN Twenty Twelve, John Morton’s excellent sitcom set in the “Olympic Deliverance Committee”, was curtailed by the start of the London Games themselves, the race was on to find a new home for his memorable cast of characters.The result is W1A, in which Ian Fletcher (Hugh Bonneville), fresh from his Olympic triumph, has been hired as the BBC’s new Head of Values.
Depending on who you believe, it’s a mark of the corporation’s bravery, complacency or sheer self-indulgence that it is willing to spend a whole series mocking the absurdities of its own inner workings.
In fact, the ease with which the programme has relocated from the Olympic Park to New Broadcasting House suggests the target of its humour is less a specific institution than the general corporate malaise presumed to exist in the upper echelons of most large organisations.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
W1A is therefore no more anti-BBC than Twenty Twelve was anti-Olympics - and that series ended with a toast to the people behind the 2012 Games. It was more farce than satire, but no less entertaining as a result.
Its successor treads a similar line, mocking the platitudes of modern professional life while sympathising with those who must talk the dispiriting talk.
If you treat last night's debut as the first episode of a new sitcom rather than the third series of an established comedy, then W1A shows a great deal of promise.
Bonneville’s character moves seamlessly into this new non-job, his air of suppressed bewilderment growing from the moment he steps into his first Daily Senior Team Damage Limitation Meeting.
In seeking to carve out a meaningful role, or indeed any kind of role, he agrees to meet a one-man protest group campaigning against the BBC’s neglect of Cornish issues. The meeting does not go well.
As in Twenty Twelve, the deadpan commentary is artfully constructed. “If Ian’s job is to make the protester feel that he’s being listened to,” it says, “the first challenge is to find somewhere in the building where fewer people can hear him.”
W1A doesn’t yet have the perfect pitch and pace of its predecessor, but the momentum is gathering. By the end of episode one, Ian Fletcher has been joined by his nemesis Siobhan Sharpe (Jessica Hynes), the Olympic PR guru and scourge of the English language.
His expression of repressed horror when she walks through the door bodes well for episode two.
'W1A', BBC2, Wednesdays, 10pm; Holden Frith tweets at @holdenfrith
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Holden Frith is The Week’s digital director. He also makes regular appearances on “The Week Unwrapped”, speaking about subjects as diverse as vaccine development and bionic bomb-sniffing locusts. He joined The Week in 2013, spending five years editing the magazine’s website. Before that, he was deputy digital editor at The Sunday Times. He has also been TheTimes.co.uk’s technology editor and the launch editor of Wired magazine’s UK website. Holden has worked in journalism for nearly two decades, having started his professional career while completing an English literature degree at Cambridge University. He followed that with a master’s degree in journalism from Northwestern University in Chicago. A keen photographer, he also writes travel features whenever he gets the chance.
-
New Year's Eve: UK events and celebrations
The Week Recommends Start 2025 with a bang by watching the best fireworks and extravaganzas around the country
By Adrienne Wyper, The Week UK Published
-
Five festive cocktails for Christmas 2024
The Week Recommends Serve seasonal cocktails for an extra special gathering
By Adrienne Wyper, The Week UK Published
-
Octopuses could be the next big species after humans
UNDER THE RADAR What has eight arms, a beaked mouth, and is poised to take over the planet when we're all gone?
By Rafi Schwartz, The Week US Published
-
Gregg Wallace: a man out of time?
Talking Point MasterChef presenter's downfall shines spotlight on how mistreatment of junior staff has all too often been ignored
By The Week UK Published
-
Gregg Wallace apologises for 'women of a certain age' jibe
Speed Read MasterChef presenter says he was 'not in a good headspace' when he made the comments regarding complainants
By Arion McNicoll, The Week UK Published
-
Wolf Hall: The Mirror and the Light – still a 'crown jewel'
The Week Recommends This 'superlative' Tudor drama returns to BBC One and remains 'appointment weekly viewing'
By Adrienne Wyper, The Week UK Published
-
Threads: how apocalyptic pseudo-documentary shocked a nation
In the Spotlight The rarely shown nuclear annihilation film will reappear on TV screens this week
By Rebekah Evans, The Week UK Published
-
'Ludwig': David Mitchell's new quaint and quirky British detective drama
The Week Recommends The BBC's new cosy crime drama is the 'role of a lifetime' for Mitchell
By The Week UK Published
-
Mishal Husain: BBC journalist shares her six favourite books
The Week Recommends Newsreader and Radio 4 presenter picks works by Louisa May Alcott, Jamil Ahmad and more
By The Week UK Published
-
The Jetty: Jenna Coleman is 'magnetic' in 'claustrophobic' crime thriller
The Week Recommends BBC's new four-part show keeps viewers 'hooked' until the end
By Irenie Forshaw, The Week UK Published
-
Michael Mosley 'collapsed' during holiday hike
Speed Read Tributes paid to 'national treasure' who did so much to popularise science
By Hollie Clemence, The Week UK Published