This is England '90: hailed as 'hilarious and brilliant' as ever
Third series takes a surprisingly upbeat turn, but the seeds of darkness have been planted
Shane Meadows' latest Channel 4 mini-series, This is England '90, has been hailed as "brilliant", "hilarious" and as "profound as ever".
The four-part mini-series is the third spin-off from the director's 2006 Bafta-winning semi-autobiographical film, This Is England, about a young skinhead called Shaun growing up in early 1980s Britain. This is England '90, scripted with Skins writer Jack Thorne, is set in 1990, and follows the stories of Shaun, Lol, Woody and the gang, who are now involved in the rave scene.
The reception for this latest and last instalment has been overwhelmingly positive. Audiences have hailed the series as "brilliant" and "funny", says the Daily Mirror, while critics have backed them up with glowing reviews and some surprise at the show's seemingly cheerful turn.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
After all the harsh realities of earlier instalments (rape, murder and prison among them), "things seemed to be looking up for Shaun and the gang in 1990", says Amy Burns in The Independent. Last seen sobbing in a hospital chapel, Woody and Lol are now playing happy families, while cheeky drug dealer Harvey is brilliant and Gadget has lost none of his charm.
Sam Wollaston in The Guardian calls the first episode of the series "uncharacteristically upbeat" and "hilarious". It's also so authentic and convincing, says Wollaston, that it doesn't even feel much like watching drama. "More like catching up with a bunch of old mates you haven't seen for a while."
Kasia Delgado in the Radio Times agrees. "Thankfully, this first episode is just as good as fans hoped it would be". Seeing the gang on screen again after two years feels nostalgic in itself and then there's the actual '90s nostalgia, with acid house raves, ecstasy and bleach-blonde bowl cuts.
Delgado was also among those surprised to see that much of the darkness from the previous series seemed to be absent. But how long will it last? While it's a brilliantly funny episode, "there's definitely a hint of the darkness and despair to come".
Yes, says Morgan Jeffery on Digital Spy, on the surface it seems to be the saga's "sunniest outing to date", but look beyond the laughs and you'll spot a few dark seeds that the writers have planted, certain to bloom in the coming weeks.
This is a note-perfect comic/tragic blend, says Jeffery, and it shows that while the times are changing, "age hasn't dulled This Is England, which remains as potent and profound as ever".
Will all the praise mean there could there be more This is England to come? While Meadows told the Daily Telegraph that '90 will be the final chapter, the newspaper says he has left the door open to return to his beloved group of characters.
"Everyone involved seems to be aware of not going on too long and ruining a masterpiece," said Meadows, adding, "the full stop has been written in pencil".
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Why is recasting so difficult?
In The Spotlight Switching much-loved characters can cause confusion – and spark a backlash
By Irenie Forshaw, The Week UK Published
-
Diamonds could be a brilliant climate solution
Under the radar A girl and the climate's best friend
By Devika Rao, The Week US Published
-
Crossword: November 12, 2024
The Week's daily crossword
By The Week Staff Published
-
The Hollyoaks time jump and the future of British soaps
In the Spotlight Loss of nearly a third of cast and crew on Channel 4 show shows how beleaguered TV industry needs to 'reinvent' itself
By Harriet Marsden, The Week UK Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published