Five reasons to watch La La Land - and one big criticism
As winter bites and a Trump presidency looms, escape into the dreamy charms of a musical
Golden Globe record-breaker La La Land is released in UK cinemas today and while the musical is winning over audiences with its breezy style and charming stars, not everyone is convinced.
Written and directed by Damien Chazelle, best-known for his 2014 film Whiplash, about a music student and his demanding teacher, La La Land tells the story of aspiring actress Mia (Emma Stone) and a serious young jazz musician Sebastian (Ryan Gosling).
They meet while trying to find their footing in Los Angeles and the film explores their struggle to maintain a relationship while pursuing their dreams. After scooping the pool at the Golden Globes, La La Land is now tipped to win big at the Oscars.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Here are five reasons you should see it, plus one big criticism.
The stars
Gosling and Stone live up to the hype, says Gary Kramer in Salon. There's a "palpable chemistry" between them in their third film together and there are some "entrancing sequences" between Mia and Sebastian. It's a "worthy showcase for the magnificent Stone's talents, and she is heartbreaking throughout", says the critic, who adds: "Gosling is also in top form."
The music
Ian Freer at Empire calls La La Land "a funny Valentine" to the entire history of the musical genre. It also has a "clutch of great new songs", says the critic, and songwriters Justin Hurwitz, Benj Pasek and Justin Paul should "take a bow". It "opens spectacularly", with a traffic jam on the LA freeway that turns into a single-take song-and-dance number, says Deborah Ross in The Spectator, adding that she almost "expired with the enchanted gorgeousness of this film".
They don't make 'em like this any more
La La Land is "the nostalgic musical Millenials have been waiting for", says Katie Salisbury at Vice. Chazelle's "Technicolor triumph" is a "nostalgia-induced revival of classic Hollywood musicals", she says. The film "hit her like a tonne of bricks" and beyond "the dazzling sheen of dance numbers and heartfelt solos", it celebrates an "unwavering belief in the power of dreams". Meanwhile, the Washington Post's Ann Hornaday says Chazelle "seems to be staking his claim, not only as a passionate preserver of cinema's most cherished genres", but also a "saviour of the medium itself".
It's gorgeous - and so sunny
New Yorker critic Anthony Lane says La La Land "looks so delicious that I genuinely couldn't decide whether to watch it or lick it". Cinematographer Linus Sandgren shot it on film and the colours, rather than "merge into the landscape", seem to "burst in your face". Also, the weather is always great. While there's a "storm of singin'", says Lane, there's no rain. The clemency of the weather is "a God-given joke" and, even at Christmas, when Mia walks home after dark, she is clad as if for June.
It will cheer you up
John Patterson at The Guardian says he fully expected to loathe the film, but was "swept away by La La Land's fierce ardour for its locale, its unapologetic romanticism and its kinetic perpetual motion (and emotion)". He adds it was the only time since 8 November that he was able to forget about Trump-World. "It made me happy, and it made me cry," he writes. "For that kindness alone, I give it best picture."
But does it 'whitesplain' jazz?
Before we get too carried away, it's worth noting that not everyone is won over by La La Land and that some have called it patronising and racist.
Ruby Lott Lavinga at Wired writes its "dream-like quality" can't hide its "dated" racial politics. The film "focuses on jazz while seemingly pushing the black Americans who pioneered the genre into the background", she says. Gosling portrays the "white man saviour", explaining how he will save jazz "while behind him black men play the music they created", she says. In conclusion, La La Land is fun, continues the critics, but it's a "whitewashed musical" and in 2016, "it's just not good enough to have a film with two white protagonists 'whitesplaining' a culture to emerge directly out of black American communities".
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Last hopes for justice for UK's nuclear test veterans
Under the Radar Thousands of ex-service personnel say their lives have been blighted by aggressive cancers and genetic mutations
By Sorcha Bradley, The Week UK Published
-
'It may not be surprising that creative work is used without permission'
Instant Opinion Opinion, comment and editorials of the day
By Justin Klawans, The Week US Published
-
5 simple items to help make your airplane seat more comfortable
The Week Recommends Gel cushions and inflatable travel pillows make a world of difference
By Catherine Garcia, The Week US Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published
-
Twisters review: 'warm-blooded' film explores dangerous weather
The Week Recommends The film, focusing on 'tornado wranglers', stars Daisy Edgar-Jones and Glen Powell
By The Week UK Published