Dividing the Estate
The Old Globe, San Diego
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The Gallerist
Rorschach Theatre, Washington, D.C.
(202) 399-7993
Fengar Gael’s new drama “strives mightily to avoid any contact with the typical,” said The Washington Post. A story about a New York gallery owner’s discovery of a treasure trove, it’s “a fusion of Gothic Freudian intrigue and lesbian romance” that deserves a braver staging.
9 Circles
Curious Theatre, Denver
(303) 623-0524
Based on the true story of a horrific war crime in Iran, Bill Cain’s drama is “soaked in ambiguity,” said the Boulder Daily Camera. Sean Scrutchins gives “a stunning turn” as Pvt. Daniel Reeves, a “deeply damaged soldier” who’s convicted of committing rape and murder but makes justice’s apparent triumph feel hollow.
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What have Trump’s Mar-a-Lago summits achieved?Today’s big question Zelenskyy and Netanyahu meet the president in his Palm Beach ‘Winter White House’
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The most anticipated movies of 2026The Week Recommends If the trailers are anything to go by, film buffs are in for a treat
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The biggest viral moments of 2025In the Spotlight From the Coldplay concert kiss cam to a celebrity space mission, these are some of the craziest, and most unexpected, things to happen this year
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If/Thenfeature Tony-winning Idina Menzel “looks and sounds sensational” in a role tailored to her talents.
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Rocky
feature It’s a wonder that this Rocky ever reaches the top of the steps.
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Love and Information
feature Leave it to Caryl Churchill to create a play that “so ingeniously mirrors our age of the splintered attention span.”
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The Bridges of Madison County
feature Jason Robert Brown’s “richly melodic” score is “one of Broadway’s best in the last decade.”
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Outside Mullingar
feature John Patrick Shanley’s “charmer of a play” isn’t for cynics.
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The Night Alive
feature Conor McPherson “has a singular gift for making the ordinary glow with an extra dimension.”
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No Man’s Land
feature The futility of all conversation has been, paradoxically, the subject of “some of the best dialogue ever written.”
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The Commons of Pensacola
feature Stage and screen actress Amanda Peet's playwriting debut is a “witty and affecting” domestic drama.