Exhibition of the week: Folkestone Triennial

Much of the appeal of this event lies in its use of unlikely locations – the ‘liminal spaces, forgotten corners and awkward nooks’

Mike Stubbs’s Climate Emergency Services: ‘crudely powerful’
Mike Stubbs’s Climate Emergency Services: ‘crudely powerful’
(Image credit: creativefolkestone.org.uk)

Since the 1990s, local authorities in postindustrial towns have seized on art biennials as “levers of regeneration”, said Ben Luke in the London Evening Standard. Generally, the results of these perceived quick-fixes have been lamentable: most have been curated with “no concern for context or purpose” and have brought few benefits to their “forlorn” host cities. Yet in Folkestone, something remarkable has been achieved. Every third year since 2008, the seaside town has hosted its own art festival – and it has proved to be “truly transformative”. This latest iteration, delayed from 2020 owing to pandemic restrictions, brings together newly commissioned works by 25 artists, which have been scattered across the town and are mostly free to see. The programme encompasses everything from painting and sculpture to architecture and digital art, mixing the work of household names with that of relative unknowns. Much of its appeal lies in the event’s use of unlikely locations: a visit will whisk you off on a whirlwind tour of Folkestone’s “liminal spaces, forgotten corners and awkward nooks”, taking in sites including a dilapidated gasworks, a roundabout on a gyratory road, redundant parts of Folkestone harbour and a grotto-lined public footpath. Taken as a whole, it is an “engaging”, “thoughtful” and “absorbing” event.

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