Islanders: The Making of the Mediterranean review – a ‘revelatory’ exhibition

Fitzwilliam Museum show focuses on island civilisations of the ancient Mediterranean

Bronze boat figurine, Sardinia, c1000-700BC on show at Islanders: The Making of the Mediterranean 
Bronze boat figurine, Sardinia, c1000-700BC
(Image credit: © National Archaeological Museum of Cagliari)

The words “insularity” and “isolation” both come from the Latin for “island”, said Maev Kennedy in The Art Newspaper. But the island civilisations of the ancient Mediterranean were anything but closed off. As this new exhibition at Cambridge’s Fitzwilliam Museum shows, they were remarkably open to outside influence – to foreign materials, skills, fashions and legends. Focusing on the classical culture of Crete, Sardinia and Cyprus, the show demonstrates that “the sea united rather than divided” these civilisations, allowing for considerable cultural cross-pollination. Bringing together around 200 objects dating from the Neolithic era to the Roman period, it shows that the inhabitants of the three islands attempted to “explain their tangled histories” through storytelling – even when, as with Sardinia’s Nuragic civilisation, they had no system of writing. Among the “splendid loans” on display are a Cypriot statue of a “goddess rising from the sea” that is believed to have influenced Sandro Botticelli’s The Birth of Venus; some “vivid” bronze figurines from Sardinia; and a drawing of a dolphin – a “sacred” animal that “represented friendship” – found on Crete.

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