Book of the week: The Last Emperor of Mexico by Edward Shawcross
Although Maximilian’s reign proved short-lived, it makes for a ‘jaw-dropping story’
In the early 1860s, the “puffed-up” French emperor Napoleon III conceived what he believed to be “a brilliant wheeze”, said Justin Marozzi in The Sunday Times. He would command his troops to invade Mexico, and install a puppet emperor on the throne. France would thereby gain a “Latin American empire on the cheap”, providing “untold opportunities for French business”.
The man Napoleon chose to be ruler of Mexico was the “hapless Habsburg archduke” Maximilian, younger brother of Franz Joseph I of Austria. Maximilian thought it an excellent idea – he was a “classic younger brother in search of something to do” – and accordingly, once France had gained control of Mexico, he grandly entered the country in May 1864, accompanied by his wife Carlota. Although his reign proved short-lived, it makes for a “jaw-dropping story” – one that Edward Shawcross relates with “real brio and narrative punch” in his superb first book.
Predictably, Maximilian’s time in Mexico proved disastrous from the start, said Gerard Helferich in The Wall Street Journal. A daydreamer with a passion for poetry and plays, the young man was unsuited to the task of ruling a country “still deeply polarised” from a bruising civil war. “Worse, under his agreement with France, Maximilian was responsible for the expenses that country had incurred while invading Mexico.” (In other words, as Shawcross puts it, Mexico had to “pay for the privilege of its own occupation”.)
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Yet what struck the truly decisive blow to Maximilian’s regime was the conclusion of the American Civil War in 1865, said Paul Lay in The Times. No longer preoccupied with its internal affairs, Washington decided to act against the European client state being established on its doorstep. In 1866, it issued France with an ultimatum: “remove your troops or it’s war”.
The writing was now “on the wall for Maximilian’s illusory empire”, said Tony Barber in the FT. Napoleon acceded to Washington’s request, which left the “self-styled emperor” in an impossible position. His “ignoble end” came a year later: captured by hostile liberal Mexican forces, he was executed by a firing squad in June 1867 (a scene made famous by Manet’s The Execution of Maximilian, above).
Shawcross describes Napoleon’s incursion into Mexico as a gamble “outrageous even by the standards of European imperialism”. In The Last Emperor of Mexico, he has written a “superbly entertaining and well-researched account” of this “doomed escapade”.
Faber 336pp £20; The Week Bookshop £15.99
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
The Week Bookshop
To order this title or any other book in print, visit theweekbookshop.co.uk, or speak to a bookseller on 020-3176 3835. Opening times: Monday to Saturday 9am-5.30pm and Sunday 10am-4pm.
-
High Court action over Cape Verde tourist deathsThe Explainer Holidaymakers sue TUI after gastric illness outbreaks linked to six British deaths
-
The battle over the Irish language in Northern IrelandUnder the Radar Popularity is soaring across Northern Ireland, but dual-language sign policies agitate division as unionists accuse nationalists of cultural erosion
-
Villa Treville Positano: a glamorous sanctuary on the Amalfi CoastThe Week Recommends Franco Zeffirelli’s former private estate is now one of Italy’s most exclusive hotels
-
The Beckhams: the feud dividing BritainIn the Spotlight ‘Civil war’ between the Beckhams and their estranged son ‘resonates’ with families across the country
-
6 homes with incredible balconiesFeature Featuring a graceful terrace above the trees in Utah and a posh wraparound in New York City
-
The Flower Bearers: a ‘visceral depiction of violence, loss and emotional destruction’The Week Recommends Rachel Eliza Griffiths’ ‘open wound of a memoir’ is also a powerful ‘love story’ and a ‘portrait of sisterhood’
-
Steal: ‘glossy’ Amazon Prime thriller starring Sophie TurnerThe Week Recommends The Game of Thrones alumna dazzles as a ‘disillusioned twentysomething’ whose life takes a dramatic turn during a financial heist
-
Anna Ancher: Painting Light – a ‘moving’ exhibitionThe Week Recommends Dulwich Picture Gallery show celebrates the Danish artist’s ‘virtuosic handling of the shifting Nordic light’
-
H is for Hawk: Claire Foy is ‘terrific’ in tender grief dramaThe Week Recommends Moving adaptation of Helen Macdonald’s bestselling memoir
-
Our Town: Michael Sheen stars in ‘beautiful’ Thornton Wilder classicThe Week Recommends Opening show at the Welsh National Theatre promises a ‘bright’ future
-
Music reviews: Zach Bryan, Dry Cleaning, and Madison BeerFeature “With Heaven on Top,” “Secret Love,” and “Locket”