Film review: Death on the Nile
Kenneth Branagh reprises his role as Poirot in this starry but unsatisfying Agatha Christie adaptation
Kenneth Branagh’s “long coronavirally delayed” Agatha Christie adaptation has finally “puffed effortfully into harbour”, said Peter Bradshaw in The Guardian. Branagh reprises his role as the “amply moustached” Poirot, last seen on the Orient Express, and now steaming his way down the Nile. Among his fellow passengers are Linnet (Gal Gadot), a “glamorous heiress” travelling with her new husband Simon, “unfortunately played” by the scandal-struck Armie Hammer, in what may be his last movie role; Sophie Okonedo as a jazz singer and Letitia Wright as her manager; and Dawn French and Jennifer Saunders, playing a rich socialist and her lady’s maid. After one of these travellers is offed, the murder mystery “grinds into action, bringing up in due course more dead bodies like the ship’s paddle wheel” – but with no sense of crescendo or climax.
The real mystery here, said Charlotte O’Sullivan in the London Evening Standard, is why Branagh strayed so far from the source text, to such sentimental effect. Poirot here isn’t the “persnickety” detective we know and love, but a man “scarred in every sense” by his experiences in the First World War. He cries; he falls in love. “This is the Belgian detective as we’ve never seen him before. And, frankly, as I have no wish to see him again.”
The question that occurred to me, said Brian Viner in the Daily Mail, isn’t “whodunnit, but why make it?” You may be “mildly engaged” as Poirot exercises the “little grey cells”. Ultimately, though, this handsome film is unlikely to delight anybody except the Egyptian Tourist Board – “at least not until it eventually pops up in the Christmas TV schedules, when it will be just perfect for a post-prandial snooze”.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
How will Trump's spending bill impact student loans?
the explainer Here's what the Republicans' domestic policy bill means for current and former students
-
Can the US economy survive Trump's copper tariffs?
Today's Big Question The price hike 'could upend' the costs of cars, houses and appliances
-
Film reviews: Superman and Sorry, Baby
Feature A hero returns, in surprising earnest, and a woman navigates life after a tragedy
-
Film reviews: Superman and Sorry, Baby
Feature A hero returns, in surprising earnest, and a woman navigates life after a tragedy
-
Music reviews: Lorde, Barbra Streisand, and Karol G
Feature "Virgin," "The Secret of Life: Partners, Volume Two," and "Tropicoqueta"
-
Laura Lippman's 6 favorite books for those who crave a high-stakes adventure
Feature The Grand Master recommends works by E.L. Konigsburg, Charles Portis, and more
-
Book reviews: 'Bad Company: Private Equity and the Death of the American Dream' and 'Desi Arnaz: The Man Who Invented Television'
Feature Private equity and the man who created 'I Love Lucy' get their close-ups
-
Lemon and courgette carbonara recipe
The Week Recommends Zingy and fresh, this pasta is a summer treat
-
Oasis reunited: definitely maybe a triumph
Talking Point The reunion of a band with 'the power of Led Zeppelin' and 'the swagger of the Rolling Stones'
-
Kiefer / Van Gogh: a 'remarkable double act'
The Week Recommends Visit this 'heroic' and 'absurd' exhibition at the Royal Academy until 26 October
-
Mark Billingham shares his favourite books
The Week Recommends The novelist and actor shares works by Mark Lewisohn, John Connolly and Gillian Flynn