My Neighbour Totoro on stage: ‘just as enchanting’ as the film
As a visual feast, this theatrical version of the 1988 Japanese animation is ’matchless’

The 1988 Japanese animated film My Neighbour Totoro is a modern classic, about two girls who move to the countryside and encounter troll-like spirits who draw them into a mystical realm, said Dominic Cavendish in The Daily Telegraph. This world-premiere stage version is already a “monster” box-office smash for the RSC; and it’s a pleasure to report that it fully lives up to the hype.
Tom Morton-Smith’s stage adaptation is directed by Phelim McDermott, with music by Joe Hisaishi that augments his original film soundtrack with “soothing and stirring” songs. And it “beautifully” retains all that fans loved about the film: it has a “gentle, philosophical pace”, a “beguiling strangeness”. It’s a “triumph – a vital power surge of Anglo-Japanese creative electricity fit for these soul-sapped times”.
How do you adapt an “iconic” Studio Ghibli film that is widely considered an “unsurpassed feat of fantasy animation”, asked Arifa Akbar in The Guardian. “Just like this, it would seem.” McDermott’s stage version is not an exact replica – but it is “just as enchanting and perhaps more emotionally impactful”. The relationship between the sisters, Satsuki and Mei, and their father are caught tenderly, and their “understated yearning” for their hospitalised mother is quietly moving.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The set, designed by Tom Pye, is as mobile and multi-faceted as origami: each scene breaks apart to form another “entrancing” world. The puppetry, by Basil Twist, is magical. And Totoro himself, a gigantic but charming beast, is “formidable, eerie, comic and endearing” all at once.
As a visual feast, My Neighbour Totoro is “matchless”, said David Benedict in Variety. The design team has “let rip”, and the result is “grand-scale theatrical storytelling”. But newcomers to the story seeking a “satisfying, well-paced plot” will be disappointed.
The pace is a little slow, agreed Sarah Hemming in the FT. It’s perhaps a little too faithful to the film in that respect: “it could be shorter, meatier and freer”. Even so, this is a “tender, remarkably beautiful family show” – a “gorgeous, uplifting” exploration of the world “as seen through a child’s eyes”.
RSC, Barbican Theatre, London EC2. Until 21 January
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Downton Abbey: The Grand Finale – a ‘comfort’ watch for fans
The Week Recommends The final film of the franchise gives viewers a chance to say goodbye
-
The Paper: new show, same 'warmth and goofiness'
The Week Recommends This spin-off of the American version of The Office is ‘comfortingly and wearyingly familiar’
-
Rachel Jones: Gated Canyons – ‘riotously colourful’ works from an ‘exhilarating’ painter
The Week Recommends The 34-year-old is the first artist to take over Dulwich Picture Gallery’s main space
-
Born With Teeth: ‘mischievously provocative’ play starring Ncuti Gatwa
The Week Recommends ‘Sprightly’ production from Liz Duffy Adams imagines the relationship between Shakespeare and Christopher Marlowe
-
Art review: Lorna Simpson: Source Notes
Feature Metropolitan Museum of Art, New York City, through Nov. 2
-
Jessica Francis Kane's 6 favorite books that prove less is more
Feature The author recommends works by Penelope Fitzgerald, Marie-Helene Bertino, and more
-
Book reviews: 'Baldwin: A Love Story' and 'The Fort Bragg Cartel: Drug Trafficking and Murder in the Special Forces'
Feature A loving James Baldwin biography and the drug crimes of two special ops veterans
-
Rigatoni with 'no-vodka sauce' recipe
The Week Recommends Comfort food meets a clever alcohol-free twist on a classic