Legally Blonde on stage: ‘far wittier’ than the film
Regent’s Park Open Air Theatre is host to this ‘smart show about brains as well as beauty’

The Regent’s Park summer season has got off to a flying start with an “audacious” revival of Legally Blonde, said Clive Davis in The Times. “Go with an open mind and you’ll be blown away” – even if you’re not a fan of the 2001 movie.
For the uninitiated, Legally Blonde tells the tale of ditzy, pink-loving fashion-obsessed Elle Woods (played in the film by Reese Witherspoon), who wangles a place at Harvard Law School in an effort to win back her ambitious, intellectually snobbish ex-boyfriend Warner. She struggles with academia at first, then unveils a razor-sharp legal mind. The film was a hit, but this stage musical, which launched on Broadway in 2007, is “far wittier”, with “insidious melodies” and lyrics with the cheek to rhyme “snobs” with “Thomas Hobbes”.
For this production, director Lucy Moss – co-creator of the hugely successful pop musical Six – has brought the material “bang up to date” for the internet age (references to Instagram and the Kardashians abound) “without sacrificing its joie de vivre”.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Legally Blonde is a “smart show about brains as well as beauty, and about the way they interact in society at large”, said Sarah Crompton on What’s on Stage. It is also funny and heartwarming. Moss has upped “the fun and the fizz”, and also revamped the show with unusually diverse casting. As Elle, Courtney Bowman – mixed-heritage and sporting blonde braids – is “about as far from the Mean Girls image” as you can get. She gives a “witty, beautifully sung performance of considerable authority”, and is matched by some fine supporting turns.
Bowman is brilliant, agreed Dominic Cavendish in The Daily Telegraph; she charts Elle’s “journey of self-discovery with nuance, shifting from initial hurt and bashfulness to indestructible resolve”. The big problem, though, is the dearth of memorable songs. “There’s only so much snappy, campy choreography – aping TikTok-style syncing – and more-wittering-than-witty numbers you can take before déjà-vu and déjà-entendu sets in.”
Regent’s Park Open Air Theatre, London NW1. Until 2 July
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Can Trump bully Netanyahu into Gaza peace?
Today's Big Question The Israeli leader was ‘strong-armed’ into new peace deal
-
‘The Taliban delivers yet another brutal blow’
Instant Opinion Opinion, comment and editorials of the day
-
Renewables top coal as Trump seeks reversal
Speed Read For the first time, renewable energy sources generated more power than coal, said a new report
-
Mustardy beans and hazelnuts recipe
The Week Recommends Nod to French classic offers zingy, fresh taste
-
Susie Dent picks her favourite books
The Week Recommends The lexicographer and etymologist shares works by Jane Goodall, Noel Streatfeild and Madeleine Pelling
-
6 incredible homes under $1 million
Feature Featuring a home in the National Historic Landmark District of Virginia and a renovated mid-century modern house in Washington
-
The Harder They Come: ‘triumphant’ adaptation of cinema classic
The Week Recommends ‘Uniformly excellent’ cast follow an aspiring musician facing the ‘corruption’ of Kingston, Jamaica
-
House of Guinness: ‘rip-roaring’ Dublin brewing dynasty period drama
The Week Recommends The Irish series mixes the family tangles of ‘Downton’ and ‘Succession’ for a ‘dark’ and ‘quaffable’ watch
-
Dead of Winter: a ‘kick-ass’ hostage thriller
The Week Recommends Emma Thompson plays against type in suspenseful Minnesota-set hair-raiser ‘ringing with gunshots’
-
A Booker shortlist for grown-ups?
Talking Point Dominated by middle-aged authors, this year’s list is a return to ‘good old-fashioned literary fiction’
-
Fractured France: an ‘informative and funny’ enquiry
The Week Recommends Andrew Hussey's work is a blend of ‘memoir, travelogue and personal confession’