Monika Bartyzel
Monika Bartyzel is a freelance writer and creator of Girls on Film, a weekly look at femme-centric film news and concerns, now appearing at TheWeek.com. Her work has been published on sites including The Atlantic, Movies.com, Moviefone, Collider, and the now-defunct Cinematical, where she was a lead writer and assignment editor.
Latest articles by Monika Bartyzel
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TV needs to stop treating black characters as expendable
feature Primetime television has a nasty habit of killing off its black supporting characters — and it's bad for creators and audiences alike
By Monika Bartyzel Last updated
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10 unjustly overlooked movie romances
feature Searching for a Valentine's Day movie that's a little off the beaten path? Look no further.
By Monika Bartyzel Published
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It will take a village to diversify Hollywood
feature The New Yorker's Richard Brody recently argued that critics have failed female filmmakers — but he's only identified a part of a much greater problem
By Monika Bartyzel Last updated
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Jeanne Dielman at 40: A still-unmatched film about the realities of womanhood
feature When monotony speaks louder than words
By Monika Bartyzel Published
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How Song One rises above lazy cliches
feature The indie drama connects by finding the joys in an individual moment
By Monika Bartyzel Published
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Why female filmmakers need powerful allies
feature Hollywood has always relied on mentorship and collaboration
By Monika Bartyzel Published
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Girls on Film: Why Scarlett Johansson — or any white actress — shouldn't star in Ghost in the Shell
feature Hollywood continues to whitewash its movies, with troubling implications both creatively and financially
By Monika Bartyzel Last updated
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Girls on Film: The real lesson of Gravity
feature It's not about visual spectacle or edge-of-your-seat excitement. It's about rebirth.
By Monika Bartyzel Last updated
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Girls on Film: Concussion isn't really about lesbian prostitution
feature Stacie Passon's new film, which follows a woman who turns to the sex trade after a head injury, is far more relatable than its premise might sound
By Monika Bartyzel Last updated
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Girls on Film: How sexism is destroying the comic book industry
feature Even as superheroes thrive at the box office, comics creators continue to employ sexist and misogynistic depictions of women
By Monika Bartyzel Last updated
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Girls on Film: How women were written out of film history
feature Influential filmmakers like Alice Guy-Blaché were essential to the development of cinema — but modern filmmakers and historians still overlook their accomplishments
By Monika Bartyzel Last updated
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Girls on Film: The confounding problems of fan fiction
feature The disappointing new film The Mortal Instruments: City of Bones was derived from a piece of Harry Potter fan fiction. That's not a good thing.
By Monika Bartyzel Last updated
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Girls on Film: Blue Is the Warmest Color is a sexed-up failure
feature The Palme d'Or winner takes an emotional graphic novel about a lesbian relationship and turns it into yet another sexualized, voyeuristic lesbian love story
By Monika Bartyzel Last updated
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Toronto International Film Festival: 9 movies you should know about
feature Reviews from the first week of the annual film festival, including movies starring Hugh Jackman, Tilda Swinton, Daniel Radcliffe, and more
By Monika Bartyzel Last updated
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Girls on Film: 8 femme-centric movies from the Toronto International Film Festival
feature Our roundup of the most notable movies by and about women from this year's festival
By Monika Bartyzel Last updated
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Toronto International Film Festival: 7 more movies you should know about
feature Reviews from the second half of the annual film festival, including 12 Years a Slave, Gravity, and more
By Monika Bartyzel Last updated
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Girls on Film: Will Enough Said finally earn Nicole Holofcener the recognition she deserves?
feature The talented writer-director, whose films have routinely been dismissed as "chick flicks," is a must-see for fans of Woody Allen or Jim Jarmusch
By Monika Bartyzel Last updated
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Girls on Film: Hollywood should embrace women — just as TV has
feature The small screen has long surpassed film in the opportunities it offers for women both in front of and behind the camera
By Monika Bartyzel Last updated
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Girls on Film: Before Midnight and the evolution of one of cinema's most dynamic women
feature Over three films and nearly two decades, Celine is not only allowed to appear and intrigue us, but also to reappear and challenge us
By Monika Bartyzel Last updated
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Girls on Film: Why it's time for Hollywood to revive the femme fatale
feature The important and challenging cinematic archetype has fallen out of vogue over the past decade. It's not too late for a comeback
By Monika Bartyzel Last updated
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Girls on Film: How Pam Grier revolutionized cinema
feature The Blaxploitation actress rose above the sexism of the genre to become an unmatched cinematic icon of black femininity
By Monika Bartyzel Last updated
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Girls on Film: The danger of the 'female filmmaker' label
feature Calling on Hollywood to improve the roles of women carries a significant risk for female filmmakers. But someone must step up and do it.
By Monika Bartyzel Last updated
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Girls on Film: How Lovelace fails to tell the real story
feature The new biopic, which stars Amanda Seyfried as the legendary Deep Throat star, fails to capture the tragedy and complexity of the real Linda Lovelace
By Monika Bartyzel Last updated
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Girls on Film: Not every movie with a female lead is a 'romantic comedy'
feature Lake Bell's In a World... is a comedy, full stop
By Monika Bartyzel Last updated
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