The Forsyte Saga: 'faultless' production with a 'pitch-perfect' cast
Theatrical adaptation of John Galsworthy's novels is a 'must-see' show
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
Here's a confession, said Dominic Maxwell in The Times. I've never read "The Forsyte Saga", John Galsworthy's early 20th century novels chronicling the trials and misadventures of a wealthy English family between 1886 and 1920. Nor have I seen either of the two long, luxurious TV adaptations.
Those better acquainted may find cherished bits of the saga are missing from this superb condensed version, which is adapted by Shaun McKenna and Lin Coghlan, and presented in two parts (five-hours long in total) by the Troupe Theatre Company at the Park Theatre in north London. But as theatre it's "faultless": a "must-see" production that's "sumptuous, panoramic, intense, amusing; vividly of its time yet arrestingly modern in its understanding of the games we play".
I went in anticipating a stately production, full of "fabric and furrowed brows", said Susannah Clapp in The Observer. But this terrific new version is quite "disruptive". Here, a story "so stuffed with stuff is set on an almost bare stage". Lighting, music and sound all conjure up leaps of place and era. Anna Yates's costumes "wire the action into character and epoch". And, somehow, nothing feels rushed. "The atmosphere is charged but nothing is skimped", and "the two-part play unrolls, ample and spacious".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The adaptation foregrounds two female characters, Irene and Fleur, whose fortunes are linked by one terrible incident, said Sarah Hemming in the Financial Times. The whole thing is directed "with immense skill and fluidity" by Josh Roche, and becomes a "joyous exercise in shared dramatic storytelling".
The tireless cast of nine are "pitch-perfect", said Sarah Crompton on What's On Stage. As Irene, unhappily married to paterfamilias Soames, Fiona Hampton is "still and dignified, yet suggesting constant ferment beneath the surface". Flora Spencer-Longhurst is "sophisticated, sharp and selfish" as Fleur, the evening's unreliable narrator.
As Soames, who balances "loathsome acts with tenderness and fragility", Joseph Millson is "riveting", said Dave Fargnoli in The Stage. It's a great performance at the heart of a "gripping" evening.
Park Theatre, London N4. Until 7 December
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
What to watch out for at the Winter OlympicsThe Explainer Family dynasties, Ice agents and unlikely heroes are expected at the tournament
-
Properties of the week: houses near spectacular coastal walksThe Week Recommends Featuring homes in Cornwall, Devon and Northumberland
-
Will Beatrice and Eugenie be dragged into the Epstein scandal?Talking Point The latest slew of embarrassing emails from Fergie to the notorious sex offender have put her daughters in a deeply uncomfortable position
-
Properties of the week: houses near spectacular coastal walksThe Week Recommends Featuring homes in Cornwall, Devon and Northumberland
-
These Caribbean resorts are calling you for some rest and relaxation. Can you hear them?The Week Recommends Serenity is a flight away
-
February’s books feature new Toni Morrison, a sapphic love tale and a criticism of Mexican historyThe Week Recommends This month’s new releases include ‘Autobiography of Cotton’ by Cristina Rivera Garza, ‘Language as Liberation’ by Toni Morrison and ‘Heap Earth Upon It’ by Chloe Michelle Howarth
-
Melania: an ‘ice-cold’ documentaryTalking Point The film has played to largely empty cinemas, but it does have one fan
-
Nouvelle Vague: ‘a film of great passion’The Week Recommends Richard Linklater’s homage to the French New Wave
-
Wonder Man: a ‘rare morsel of actual substance’ in the Marvel UniverseThe Week Recommends A Marvel series that hasn’t much to do with superheroes
-
Is This Thing On? – Bradley Cooper’s ‘likeable and spirited’ romcomThe Week Recommends ‘Refreshingly informal’ film based on the life of British comedian John Bishop
-
A Shellshocked Nation: Britain Between the Wars – history at its most ‘human’The Week Recommends Alwyn Turner’s ‘witty and wide-ranging’ account of the interwar years