'True Detective: Night Country' and the rise of Arctic Noir

Why we love police procedurals set in the bleak and remote polar extremes

Light from the headlights of a car on a winter road surrounded by snowy forest at night
There are several new magnificent entries to crime television's Arctic Noir subgenre
(Image credit: Getty Images)

The fourth season of Max's critically acclaimed anthology series "True Detective" is out on Jan. 14, with a new Alaskan polar setting and a new star in Jodie Foster as a cop hunting a scientist-targeting serial killer. Alaska is a bleak, compelling setting, and one that has become a staple of crime television's Nordic Noir subgenre. 

The icy backdrop to these crime procedurals is usually combined with genre plot staples like a small-town cop fleeing his or her past in the closest Big City or local notables plotting to enrich themselves, or the Big City cops clashing with the unexpectedly brilliant (or hilariously incompetent) rural cops. This setting — and set-up — encourages plot-mechanics dream scenarios like isolating blizzards, malfunctioning cell phones and statistically improbable levels of violence and homicide. The trend began in 2007 with the Copenhagen-set whodunnit "The Killing," which received one of the more successful American remakes before showrunners continued to migrate their sets further and further north.

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David Faris

David Faris is an associate professor of political science at Roosevelt University and the author of It's Time to Fight Dirty: How Democrats Can Build a Lasting Majority in American Politics. He is a frequent contributor to Informed Comment, and his work has appeared in the Chicago Sun-Times, The Christian Science Monitor, and Indy Week.