Sherwood, series two: 'stuffed to the gills with brilliant performances'
The latest instalment of James Graham's gritty crime drama is 'superb'
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
Fans of "Sherwood" could be forgiven for wondering if writer James Graham could possibly conjure its "noirish magic for a second time", said Carol Midgley in The Times.
A crime drama set in a Nottinghamshire village in the noughties, it was a brilliant depiction of a community still riven by the toxic schisms created by the miners' strikes in the 1980s; and by the end, there seemed no need for a sequel. Yet now we have a second series, and I am happy to report that it is superb: Graham's "talent for understanding the human condition" and "creating complex, believable characters is every bit as potent as last time".
The series begins about ten years after the last one left off, said Lucy Mangan in The Guardian, and its focus this time is on "a disaffected generation" who lack their forebears' sense of purpose. David Morrissey returns as Ian St Clair, who comes out of semi-retirement when a young man is murdered; joining the cast are Oliver Huntingdon, as the troubled killer, and Stephen Dillane and Monica Dolan as his victim's vengeful parents. As in the first series, "the personal folds into the political and vice versa", and it's "stuffed to the gills with brilliant performances".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The script sometimes slip into "earnest pleas for social change", said Rachael Sigee on the i news site: at one point, St Clair makes an on-the-nose speech about "stopping vulnerable kids from getting involved in crime in the first place". But the plotting is masterfully intricate, and director Clio Barnard brilliantly ratchets up the tension.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
How to navigate dating apps to find ‘the one’The Week Recommends Put an end to endless swiping and make real romantic connections
-
Elon Musk’s pivot from Mars to the moonIn the Spotlight SpaceX shifts focus with IPO approaching
-
‘Hong Kong is stable because it has been muzzled’Instant Opinion Opinion, comment and editorials of the day
-
How to navigate dating apps to find ‘the one’The Week Recommends Put an end to endless swiping and make real romantic connections
-
Catherine O'Hara: The madcap actress who sparkled on ‘SCTV’ and ‘Schitt’s Creek’Feature O'Hara cracked up audiences for more than 50 years
-
February TV brings the debut of an adult animated series, the latest batch of ‘Bridgerton’ and the return of an aughts sitcomthe week recommends An animated lawyers show, a post-apocalyptic family reunion and a revival of a hospital comedy classic
-
6 gorgeous homes in warm climesFeature Featuring a Spanish Revival in Tucson and Richard Neutra-designed modernist home in Los Angeles
-
Touring the vineyards of southern BoliviaThe Week Recommends Strongly reminiscent of Andalusia, these vineyards cut deep into the country’s southwest
-
Nan Goldin: The Ballad of Sexual Dependency – an ‘engrossing’ exhibitionThe Week Recommends All 126 images from the American photographer’s ‘influential’ photobook have come to the UK for the first time
-
American Psycho: a ‘hypnotic’ adaptation of the Bret Easton Ellis classicThe Week Recommends Rupert Goold’s musical has ‘demonic razzle dazzle’ in spades
-
Properties of the week: houses near spectacular coastal walksThe Week Recommends Featuring homes in Cornwall, Devon and Northumberland