Sherwood, series two: 'stuffed to the gills with brilliant performances'
The latest instalment of James Graham's gritty crime drama is 'superb'
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
Fans of "Sherwood" could be forgiven for wondering if writer James Graham could possibly conjure its "noirish magic for a second time", said Carol Midgley in The Times.
A crime drama set in a Nottinghamshire village in the noughties, it was a brilliant depiction of a community still riven by the toxic schisms created by the miners' strikes in the 1980s; and by the end, there seemed no need for a sequel. Yet now we have a second series, and I am happy to report that it is superb: Graham's "talent for understanding the human condition" and "creating complex, believable characters is every bit as potent as last time".
The series begins about ten years after the last one left off, said Lucy Mangan in The Guardian, and its focus this time is on "a disaffected generation" who lack their forebears' sense of purpose. David Morrissey returns as Ian St Clair, who comes out of semi-retirement when a young man is murdered; joining the cast are Oliver Huntingdon, as the troubled killer, and Stephen Dillane and Monica Dolan as his victim's vengeful parents. As in the first series, "the personal folds into the political and vice versa", and it's "stuffed to the gills with brilliant performances".
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The script sometimes slip into "earnest pleas for social change", said Rachael Sigee on the i news site: at one point, St Clair makes an on-the-nose speech about "stopping vulnerable kids from getting involved in crime in the first place". But the plotting is masterfully intricate, and director Clio Barnard brilliantly ratchets up the tension.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The ‘ravenous’ demand for Cornish mineralsUnder the Radar Growing need for critical minerals to power tech has intensified ‘appetite’ for lithium, which could be a ‘huge boon’ for local economy
-
Why are election experts taking Trump’s midterm threats seriously?IN THE SPOTLIGHT As the president muses about polling place deployments and a centralized electoral system aimed at one-party control, lawmakers are taking this administration at its word
-
‘Restaurateurs have become millionaires’Instant Opinion Opinion, comment and editorials of the day
-
Kia EV4: a ‘terrifically comfy’ electric carThe Week Recommends The family-friendly vehicle has ‘plush seats’ and generous space
-
Bonfire of the Murdochs: an ‘utterly gripping’ bookThe Week Recommends Gabriel Sherman examines Rupert Murdoch’s ‘war of succession’ over his media empire
-
Gwen John: Strange Beauties – a ‘superb’ retrospectiveThe Week Recommends ‘Daunting’ show at the National Museum Cardiff plunges viewers into the Welsh artist’s ‘spiritual, austere existence’
-
Travel for all: 6 of the world’s most accessible destinationsThe Week Recommends Experience all of Berlin, Singapore and Sydney
-
Bad Bunny’s Super Bowl: A win for unityFeature The global superstar's halftime show was a celebration for everyone to enjoy
-
Book reviews: ‘Bonfire of the Murdochs’ and ‘The Typewriter and the Guillotine’Feature New insights into the Murdoch family’s turmoil and a renowned journalist’s time in pre-World War II Paris
-
The 8 best TV shows of the 1960sThe Week Recommends The standout shows of this decade take viewers from outer space to the Wild West
-
The year’s ‘it’ vegetable is a versatile, economical wonderthe week recommends How to think about thinking about cabbage