The best dystopian TV shows

Silo: a 'pressure-cooker of a dystopia'

(Image credit: TCD / Prod.DB / Alamy)

last updated 20 June 2025

Dystopian television series are much "subtler" than "blood-soaked, monster-filled" horror films, said Stylist. But "that's exactly what makes them so scary". From apocalyptic events to evil totalitarian governments, the genre spans a vast array of scenarios. Whatever happens, "things are going downhill. Fast." Here's our pick of the best dystopian series to stream now.

Andor

The second season of this "Star Wars" spin-off is "as thrilling as ever", said Jack Seale in The Guardian. Exploring the events that lead up to the 2016 film, "Rogue One", the action follows thief-turned-rebel-spy Cassian Andor (Diego Luna). Like everything in the franchise, the series is about an "underdog rebel movement fighting against a totalitarian empire in space". But writer Tony Gilroy swaps the "magic and myth" for the realities of the "anti-fascist struggle". This is "Star Wars" for grown-ups.

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Adapted from a novel by Colin O'Sullivan, this "paranoia-soaked" series blends mystery, dark comedy and dystopian sci-fi elements with "understated verve", said Ed Power in The Irish Times. Rashida Jones stars as Suzie, an American woman living in Kyoto and "reeling" from the death of her Japanese husband and their son in a plane crash. She soon joins forces with a "cuddly android" called Sunny to try to find out what happened. Another "worthy addition" to Apple's growing collection of "superior sci-fi", it manages to reach "peak Kubrickian menace" right from the start.
Apple TV+

"Paradise" is packed with so many "narrative zig-zags", you can never be sure how the series will unfold, said Robert Lloyd in the Los Angeles Times. The show follows Xavier Collins (Sterling K. Brown), a Secret Service agent investigating the murder of a former US president (James Marsden) in a "picture-perfect" American town. Of course, something is "fishy" and by the end of the first episode it's revealed the "pretty little city" is not what it seems.

Based on the 2013 video game, this "superb" post-apocalyptic drama combines "epic" action with "breathtaking emotional swerves", said Ed Power in The Telegraph. Season one saw hardened survivor Joel (Pedro Pascal) and teenager Ellie (Bella Ramsey) trek through a desolate America overrun by "fungus-ridden" infected creatures to deliver the uniquely immune Ellie to a group of rebels who believed she may hold the key to a cure that could "save all of humanity". Things didn't go to plan and the second instalment picks up five years later when the pair are "uneasily getting on with life" in Jackson, Wyoming. Expect "gobsmacking set pieces" including a battle scene to "rival 'Game of Thrones'", and "reliably forceful" performances from Pascal and Ramsey. In all, season two takes everything that was good about the first series and "cranks it up to the absolute maximum".

The first season of "Silo" laid out some "captivating foundations", said Nicola Austin in Empire. Based on the best-selling trilogy of novels by Hugh Howey, it "charted the aftermath of an apocalyptic event" that saw thousands of people forced underground to live in a giant bunker known as the silo. No one knows who built it or why, but they do know one thing: the outside world is toxic and leaving will result in almost certain death. Season two picks up after the "doozy of a cliffhanger" at the end of the first instalment, and "turns the temperature up on this pressure-cooker of a dystopia".

Following a "fantastically stylish, clever, trippy and compelling" first series, "Severance" is back on the small screen, and somehow it's even better than before, said Lucy Mangan in The Guardian. The first instalment follows Mark Scout (Adam Scott), an employee at the sinister Lumon Industries corporation, who has opted into the severance procedure to have his non-work memories separated from his work memories, giving him an "innie" and "outie" life. In the second season, "mysteries and revelations, clues and new enigmas are rolled out in perfect syncopation, getting wilder and weirder" as the show goes on.

The "bouncy, eye-popping energy" of this "post-apocalyptic action-comedy" makes for "perfect bingeing", said Ed Power in The Telegraph. Based on the video game of the same name, "Fallout" is set in the year 2296, two centuries after the "downfall of humanity", in a postwar America "devastated by a nuclear conflagration". Wealthy survivors have taken refuge in subterranean Vaults but they are eventually forced to emerge into the "Californian wasteland": a "hellscape, teeming with zombie-like mutants". Delivering the "perfect payload of OTT action and childish humour", it makes for a surprisingly "fun" watch.

Charlie Brooker's anthology series is back for a seventh season and it's another "eye-popping, brain-melting run of episodes", said John Nugent in Empire. Over a decade since it began, the show is still somehow managing to pull "the rug from under our feet in thrillingly ambitious ways". Paul Giamatti gives an "awards-worthy performance" in "Eulogy", an "'Eternal-Sunshine-esque exploration of memory and lost love"; and the show's first sequel episode, "USS Callister: Into Infinity", a "hugely enjoyable" follow-up to the first episode of season four, is a "sci-fi smash". "Satirical, strange and very, very sad indeed", the show remains "the same force it's always been".

The sixth and final series of "The Handmaid's Tale" is now on Amazon Prime. Based on Margaret Atwood's chilling novel, the action follows Offred (Elizabeth Moss) – a handmaid tasked with bearing children for the elite of a totalitarian theocracy that has replaced the US. Creator Bruce Miller delivers a "bleak, uncompromising final chapter in a saga that operates as a cautionary tale for modern America", said Nick Hilton in The Independent. Its conclusion might leave some viewers feeling relieved the harrowing story is finally over, but it will certainly leave a "void in the schedule".
Amazon Prime

Irenie Forshaw is a features writer at The Week, covering arts, culture and travel. She began her career in journalism at Leeds University, where she wrote for the student newspaper, The Gryphon, before working at The Guardian and The New Statesman Group. Irenie then became a senior writer at Elite Traveler, where she oversaw The Experts column.