The best dystopian TV shows

Pedro Pascal as hardened survivor Joel in The Last of Us

(Image credit: Alamy / Landmark Media / HBO)

last updated 24 April 2025

Dystopian TV shows are much "subtler" than "monster-filled" horror offerings, said Stylist. But that's "exactly what makes them so scary". From an "evil totalitarian government" to chilling apocalyptic events, the genre covers a range of scenarios all united by one factor: "things are going downhill. Fast".

The latest season of the HBO hit "The Last of Us" is back on our screens, alongside plenty of other dystopian television series streaming right now. Here are some of the best.

"Paradise" is packed with so many "narrative zig-zags", you can never be sure how the series will unfold, said Robert Lloyd in the Los Angeles Times. The show follows Xavier Collins (Sterling K. Brown), a Secret Service agent investigating the murder of a former US president (James Marsden) in a "picture-perfect" American town. Of course, something is "fishy" and by the end of the first episode it's revealed the "pretty little city" is not what it seems.

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Based on the 2013 video game, this "superb" post-apocalyptic drama combines "epic" action with "breathtaking emotional swerves", said Ed Power in The Telegraph. Season one saw hardened survivor Joel (Pedro Pascal) and teenager Ellie (Bella Ramsay) trek through a desolate America overrun by "fungus-ridden" infected creatures to deliver the uniquely immune Ellie to a group of rebels who believed she may hold the key to a cure that could "save all of humanity". Things didn't go to plan and the second installment picks up five years later when the pair are "uneasily getting on with life" in Jackson, Wyoming. Expect "gobsmacking set pieces" including a battle scene to "rival 'Game of Thrones'", and "reliably forceful" performances from Pascal and Ramsay. In all, season two takes everything that was good about the first series and "cranks it up to the absolute maximum".

The first season of "Silo" laid out some "captivating foundations", said Nicola Austin in Empire. Based on the best-selling trilogy of novels by Hugh Howey, it "charted the aftermath of an apocalyptic event" that saw thousands of people forced underground to live in a giant bunker known as the silo. No one knows who built it or why, but they do know one thing: the outside world is toxic and leaving will result in almost certain death. Season two picks up after the "doozy of a cliffhanger" at the end of the first instalment, and "turns the temperature up on this pressure-cooker of a dystopia".

Following a "fantastically stylish, clever, trippy and compelling" first series, "Severance" is back on the small screen, and somehow it's even better than before, said Lucy Mangan in The Guardian. The first instalment follows Mark Scout (Adam Scott), an employee at the sinister Lumon Industries corporation, who has opted into the severance procedure to have his non-work memories separated from his work memories, giving him an "innie" and "outie" life. In the second season, "mysteries and revelations, clues and new enigmas are rolled out in perfect syncopation, getting wilder and weirder" as the show goes on.

The "bouncy, eye-popping energy" of this "post-apocalyptic action-comedy" makes for "perfect bingeing", said Ed Power in The Telegraph. Based on the video game of the same name, "Fallout" is set in the year 2296, two centuries after the "downfall of humanity", in a postwar America "devastated by a nuclear conflagration". Wealthy survivors have taken refuge in subterranean Vaults but they are eventually forced to emerge into the "Californian wasteland": a "hellscape, teeming with zombie-like mutants". Delivering the "perfect payload of OTT action with childish humour", it makes for a surprisingly "fun" watch.

"What if the Allies hadn't won the Second World War?" In this adaptation of Philip K. Dick's novel, the series "explores an alternate history" in which a dystopian America is ruled by Nazi Germany and Imperial Japan, said Glanfield in The Times. The action follows Juliana Crain (Alexa Davalos) – a young woman who discovers a film that could hold the key to toppling the totalitarian regime. Blending elements of a spy thriller with "profound social commentary", the "tension-filled show" offers a "chilling look at a world forever altered by tyranny".

Charlie Brooker's anthology series is back for a seventh season and it's another "eye-popping, brain-melting run of episodes," said John Nugent in Empire. Over a decade since it began, the show is still somehow managing to pull "the rug from under our feet in thrillingly ambitious ways". Paul Giamatti gives an "awards-worthy performance" in "Eulogy", an "'Eternal-Sunshine-esque exploration of memory and lost love"; and the show's first sequel episode, "USS Callister: Into Infinity", a "hugely enjoyable" follow-up to the first episode of season four, is a "sci-fi smash". "Satirical, strange and very, very sad indeed", the show remains "the same force it's always been".

The final series of "The Handmaid's Tale" will be aired in the UK on 3 May.Based on Margaret Atwood's harrowing novel, the action follows Offred (Elizabeth Moss) – a handmaid tasked with bearing children for the elite of an "oppressive theocratic regime", said Glanfield in The Times. "Laced with trauma and overshadowed by constant threat", "The Handmaid's Tale" is a "brutal depiction of control, violence and totalitarianism" that makes for deeply uncomfortable viewing.

The second series of Hwang Dong-hyuk's dystopian survival thriller was released on Netflix in December, with the third and final season due to hit the streaming platform later this year. When it first aired in 2021, the Korean drama about a "hellscape" where desperate people play deadly versions of children's games for money "swept the world, clocking up record ratings", said Vicky Jessop in London's The Standard. And while the "shock value of the first series has inevitably been diluted", the second instalment "swaps cheap thrills for a more nuanced depiction" of morality, with a "whole lot of plot twists thrown in just for the gleeful fun of it".

Irenie Forshaw is a features writer at The Week, covering arts, culture and travel. She began her career in journalism at Leeds University, where she wrote for the student newspaper, The Gryphon, before working at The Guardian and The New Statesman Group. Irenie then became a senior writer at Elite Traveler, where she oversaw The Experts column.