Soho Fluorescent 2015: art in the heart of London
Central London's best and brightest buildings are showing off their artworks this weekend
Art may be created in studios, but it lives in the homes and offices of those who love and buy it.
This weekend, the Soho Fluorescent festival will throw open the doors of businesses and spaces in the centre of London for an open-house festival to show off artwork in its native habitat.
The free art event will include works from 40 up-and-coming artists across 12 unconventional spaces.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Curated by Helen Ratcliffe and Alan Smith of Allenheads Contemporary Arts (www.acart.org.uk), the festival will let people see new works in a range of unusual places in Soho this weekend, 4 and 5 July. The venues, which include public lobbies, boardrooms and rooftop gardens, will be open from noon until 7pm on Saturday and noon until 5pm on Sunday.
The image above is called Letter to the Tzar, and is a 2015 work by Inga Loyeva. According to Soho Fluorescent, Loyeva "is fascinated by the transnational waves of people taking to the streets en masse in clashes of national and political identity since the beginning of the Arab Spring in 2011". As a Ukrainian by birth, her work has taken on an added political dimension since fighting broke out on the border between Ukraine and Russia.
For more information on the festival and the artists involved, visit sohofluorescent.com
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Today's political cartoons - November 12, 2024
Cartoons Tuesday's cartoons - judgemental looks, Europe's bumpy ride, and more
By The Week US Published
-
Will Gary Lineker's departure be an own goal for the BBC?
Today's Big Question Former star striker turned highest-paid presenter will leave Match of the Day after 25 years, with BBC head of sport reportedly declining to offer him a contract
By Harriet Marsden, The Week UK Published
-
The potential impact of Trump tariffs for the UK
The Explainer UK goods exports to the US could be hit with tariffs of up to 20% seriously affecting the British economy
By Sorcha Bradley, The Week UK Published
-
Love design? These hotels are ready to startle your eyes and drop your jaw.
The Week Recommends A treasure trove of curios and resplendent decor await
By Catherine Garcia, The Week US Published
-
How London fell back in love with the brasserie
The Blend From Brasserie Zédel to Café François, we sample the best bistros in town
By Charlie Teasdale Published
-
Why a Michelin star can spell danger for restaurants
In the Spotlight Winning chefs face heightened financial pressures, changing customer demands and professional limitations
By Harriet Marsden, The Week UK Published
-
6 immersive experiences that bend reality
The Week Recommends Take a journey into the fantastic
By Catherine Garcia, The Week US Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published