Oscars 2018: Rachel Shenton uses sign language in acceptance speech
Ex-Hollyoaks star won best live action short film for The Silent Child

Former Hollyoaks star Rachel Shenton has been lauded after delivering an acceptance speech in sign language following her win for best live action short film at the Oscars.
Shenton’s film The Silent Child tells the story of a girl who struggles to communicate until a social worker teaches her “the gift of communication”, says the Evening Standard. The film focuses on a deaf four-year-old girl named Libby, played by deaf actress Maisie Sly, from Swindon.
During her speech, Shenton said: “I made a promise to our six-year-old lead actress that I'd sign this speech.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
“My hands are shaking so I apologise.”
The former British soap opera star wrote, produced and starred in the film. She accepted the award with her fiance and the film’s director Chris Overton who also appeared in Hollyoaks.
Shenton was inspired to write the film after her father went deaf from receiving medical treatment when she was 12, the BBC reports.
Shenton added: “Our movie is about a deaf child being born into a world of silence.
“It's not exaggerated or sensationalised for the movie, this is happening, millions of children all over the world live in silence and face communication barriers and particularly access to education.
“Deafness is a silent disability, I want to say the biggest of thank yous to the Academy for allowing us to put this in front of a mainstream audience.”
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Book review: 'Miracles and Wonder: The Historical Mystery of Jesus' and 'When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines'
Feature The college dropout who ruled the magazine era and the mysteries surrounding Jesus Christ
By The Week US
-
Not invincible: Tech burned by tariff war
Feature Tariffs on Asian countries are shaking up Silicon Valley, driving up prices and deepening global tensions
By The Week US
-
Fake AI job seekers are flooding U.S. companies
In the Spotlight It's getting harder for hiring managers to screen out bogus AI-generated applicants
By Theara Coleman, The Week US
-
Oscars 2025: Anora’s Cinderella triumph
Feature The film about a stripper who elopes with the son of a Russian oligarch takes home four Oscars
By The Week US
-
The best body horror movies of the last half-century
The Week Recommends If 'The Substance' piqued your interest, these other films will likely be your speed
By Theara Coleman, The Week US
-
Why Japanese residents can't watch their country's Oscar-nominated #MeToo documentary
THE EXPLAINER Shiori Ito became one of the faces of Japan's #MeToo movement
By Rafi Schwartz, The Week US
-
I'm Still Here: 'superb' drama explores Brazil's military dictatorship
The Week Recommends Fernanda Torres delivers 'phenomenal' performance as mother whose life is shattered by violence in the Oscar-nominated drama
By The Week UK
-
2025 Oscars: voters, record-breakers and precedent-setters
The explainer A walk through Academy Awards history, both past and present
By Anya Jaremko-Greenwold, The Week US
-
Is method acting falling out of fashion?
Talking Points The divisive technique has its detractors, though it has also wrought quite a few Oscar-winning performances
By Anya Jaremko-Greenwold, The Week US
-
September 5: 'nail-chewing' thriller explores 1972 Munich Olympics terrorist attack
The Week Recommends Oscar-nominated film cuts between dramatised events and real archival footage from news coverage
By The Week UK
-
There is more at stake with the 'Emilia Pérez' Oscar nominations than just a gold statue
IN THE SPOTLIGHT As cinephiles debate artistic merits and award season odds, transgender activists and Mexican nationals grapple with the social implications of one of the most divisive films of the year
By Rafi Schwartz, The Week US