Oscars get ratings bump but still draw 2nd smallest audience ever
The 2022 Oscars avoided sinking to another new viewership low but still drew the ceremony's second smallest audience to date.
About 15.36 million people tuned into the 2022 Academy Awards on Sunday, a 56 percent increase from the year before, according to Variety. The 2021 Oscars drew about 10 million viewers, an all-time low.
This was the first time the ratings for the Oscars have increased since 2019. But Sunday's telecast drew the second smallest Oscars audience ever, Deadline notes. The 2020 Oscars drew 23.6 million viewers, while nearly 30 million viewers watched the 2019 show.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The 2022 show saw Apple's CODA win Best Picture, becoming the first streaming film to take the top prize. But by far the most talked-about moment came when Will Smith shockingly smacked Chris Rock over a joke about Smith's wife. The moment made for a bizarre final hour as the ceremony continued as usual until Smith won Best Actor and received a standing ovation. It was unclear to what degree the incident may have had an effect on the ratings.
Producers also implemented a number of controversial changes to the ceremony in an attempt to boost ratings, including giving out eight awards before the broadcast and then editing the speeches into the show. The aim was for this to reduce the Oscars' runtime to three hours, but the broadcast still ran nearly 40 minutes over and was actually longer than in 2021.
The Academy also brought back a host for the Oscars for the first time since 2018, and it made an effort to appeal to a wider audience, including by having Twitter users vote on their favorite film of the year. These efforts were widely derided by critics — but the ratings uptick leaves open the possibility the changes could be here to stay.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Brendan worked as a culture writer at The Week from 2018 to 2023, covering the entertainment industry, including film reviews, television recaps, awards season, the box office, major movie franchises and Hollywood gossip. He has written about film and television for outlets including Bloody Disgusting, Showbiz Cheat Sheet, Heavy and The Celebrity Cafe.
-
Emilia Pérez: the most hated film at the Oscars
Talking Point Why is Hollywood fêting a 'garish' movie critics call 'an abomination'?
By Harriet Marsden, The Week UK Published
-
The Brutalist: 'haunting' historical epic is Oscar frontrunner
The Week Recommends Adrien Brody is 'savagely good' as Hungarian-Jewish architect chasing the American dream
By The Week UK Published
-
The Louvre is giving 'Mona Lisa' her own room
Speed Read The world's most-visited art museum is getting a major renovation
By Peter Weber, The Week US Published
-
The Brutalist, AI and the future of cinema
The Explainer The use of AI in the Oscar-tipped epic has launched a fresh debate over its applications in the film industry
By Richard Windsor, The Week UK Published
-
Oscar predictions 2025: who will win?
In Depth From awards-circuit heavyweights to curve balls, these are the films and actors causing a stir
By Irenie Forshaw, The Week UK Last updated
-
Honda and Nissan in merger talks
Speed Read The companies are currently Japan's second and third-biggest automakers, respectively
By Peter Weber, The Week US Published
-
Taylor Swift wraps up record-shattering Eras tour
Speed Read The pop star finally ended her long-running tour in Vancouver, Canada
By Peter Weber, The Week US Published
-
Drake claims illegal boosting, defamation
Speed Read The rapper accused Universal Music of boosting Kendrick Lamar's diss track and said UMG allowed him to be falsely accused of pedophilia
By Rafi Schwartz, The Week US Published