Samantha Bee's Full Frontal makes German art film to mourn Jeb Bush's candidacy

Samantha Bee mourns Jeb Bush&#039;s flagging campaign with artsy documentary

(Image credit: Full Frontal)

last updated 9 February 2016

Monday night's debut of Full Frontal, Samantha Bee's late-night comedy show on TBS, included a melancholy look at Jeb Bush's sagging presidential campaign. "Is this the end for our nation's dream of a third Bush presidency?" Bee asked, sardonically, after playing that clip of Bush pleading for his small audience to clap for him. To answer that question, Bee said, she had sent her "foreign exchange producer" to New Hampshire to check in on Bush.

What that looks like in practice is an artsy documentary short narrated by somebody affecting a German accent. Bush "should totally be winning but instead is getting his ass handed to him by an oddly tinted compilation of psychiatric symptoms and by a man who seems like he would lecture a starving kitten on personal responsibility and then deport that kitten and his family," the narrator said, referring to Donald Trump and Ted Cruz, respectively. Jokes aside, the camera team actually talked with voters, reporters, and, eventually, Bush, creating a gloomy portrait of "a Jeb in winter." Which will be especially funny if Bush takes second in Tuesday's New Hampshire primary. You can watch below, but be warned, there is one instance of the f-word and somewhat disturbing imagery of a crocodile eating a turtle. Peter Weber

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE

https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Explore More

Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.