Why Eve Babitz played naked chess with Marcel Duchamp

Eve Babitz reveals the motivation behind a remarkable photograph.
(Image credit: iStock)

Eve Babitz was Los Angeles' greatest bard. Promiscuous but discerning, the bombshell with a brain bonded with Joan Didion and bedded Jim Morrison. A writer first and party girl second, Babitz presented in reverse until she sickened from what she called the "squalid overboogie." People took her penchant for presenting herself as trivial seriously; her books went out of print, and an accident that left her with serious burns over half of her body turned her into something of a recluse.

Babitz is finally getting the literary comeback she deserves, but she's still best remembered for posing nude with Marcel Duchamp while they played chess. She was 20, and he was 76. And in this interview with Paul Karlstrom for the Archives of American Art in June 2000, she explained why she did it: to punish her married boyfriend Walter Hopps for not inviting her to a party.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up
To continue reading this article...
Continue reading this article and get limited website access each month.
Get unlimited website access, exclusive newsletters plus much more.
Cancel or pause at any time.
Already a subscriber to The Week?
Not sure which email you used for your subscription? Contact us
Lili Loofbourow

Lili Loofbourow is the culture critic at TheWeek.com. She's also a special correspondent for the Los Angeles Review of Books and an editor for Beyond Criticism, a Bloomsbury Academic series dedicated to formally experimental criticism. Her writing has appeared in a variety of venues including The Guardian, Salon, The New York Times Magazine, The New Republic, and Slate.