Michelle Williams thanks studio for paying her equally in powerful Emmys speech
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
You are now subscribed
Your newsletter sign-up was successful
Michelle Williams livened up the 2019 Emmys broadcast Sunday with a powerful pay equity-themed acceptance speech.
After taking home the Emmy for Outstanding Lead Actress in a Limited Series or Movie for her performance on FX's Fosse/Verdon, she thanked the network and studio behind the show for providing her with equal pay.
"They understood that when you put value into a person, it empowers that person to get in touch with their own inherent value," Williams said.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
This is a personal subject for Williams, who famously was paid just $1,000 for reshoots of All the Money in the World when her co-star Mark Wahlberg was paid $1.5 million. Earlier this year, she testified on Capitol Hill on the subject, saying, "There won't be satisfaction for me until I can exhaust my efforts ensuring that all women experience the elevation of their self-worth and its connection to the elevation of their market worth."
Williams in her speech Sunday also noted that a woman of color "stands to make 52 cents on the dollar compared to her white, male counterpart," encouraging Hollywood to listen to women when they "tell you what she needs in order to do her job." If they do, Williams concluded, these women will be able to "succeed because of her workplace environment and not in spite of it." Brendan Morrow
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Brendan worked as a culture writer at The Week from 2018 to 2023, covering the entertainment industry, including film reviews, television recaps, awards season, the box office, major movie franchises and Hollywood gossip. He has written about film and television for outlets including Bloody Disgusting, Showbiz Cheat Sheet, Heavy and The Celebrity Cafe.
