Holden Frith, The Week UK
Holden Frith is The Week’s digital director, a role in which he is responsible for digital strategy, product development and editorial direction. He also makes regular appearances on The Week Unwrapped podcast, speaking about subjects as diverse as vaccine development and bionic bomb-sniffing locusts. He joined The Week in 2013, spending five years editing the magazine’s website before moving into his current role. Before that, he was deputy digital editor at The Sunday Times, where he was part of the team that launched the newspaper’s digital subscription service – and was responsible for day-to-day production on the app and website. He has also been TheTimes.co.uk’s technology editor and the launch editor of Wired magazine’s UK website.
Holden has worked in journalism for nearly two decades, having started his professional career while completing an English literature degree at Cambridge University. He followed that with a master’s degree in journalism from Northwestern University in Chicago. A keen photographer, he also writes travel features whenever he gets the chance.
Latest articles by Holden Frith, The Week UK
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Should I Eat Meat? Dubious science spoils BBC2 dish
In Depth The answer to the question 'Is meat bad for you?' remains the same – Yes and No
By Holden Frith, The Week UK Published
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Our World War: a fitting swansong for doomed BBC3
In Depth Drama of a young man's refusal to join a British deserter's firing squad makes memorable TV
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Great British Bake Off: same recipe, same taste, same jokes
In Depth Move from BBC1 to BBC2 need not have scared fans: it remains as light and playful as spun sugar
By Holden Frith, The Week UK Published
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Secret History of our Streets tackles the Scottish question
In Depth BBC2's unexpected hit series reveals just how much Edinburgh and London have in common
By Holden Frith, The Week UK Published
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Utopia: as compelling as ever - and the body count is rising
In Depth Utopia retains a robust attitude towards violence as befits a drama with comic-book aesthetics
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Mobile news: readers on the rise but where's the revenue?
In Depth It's a story of missing clicks as social networking changes how we access news on the run
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The Honourable Woman: a far cry from Homeland's Carrie
In Depth Maggie Gyllenhaal displays an impeccable English accent and cool charisma in new BBC2 drama
By Holden Frith, The Week UK Published
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Hot Property documentary: not enough digging at BBC2
In Depth Sandy Toksvig-narrated programme fails to ask why housing has never been so unaffordable
By Holden Frith, The Week UK Published
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Into the Unknown: David Beckham’s motorcycle diary
In Depth Too old to play in the World Cup, Becks sets off for the jungle. But is he really tired of fame?
By Holden Frith, The Week UK Published
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A Very British Airline: serious documentary or cheesy souffle?
In Depth BBC2's British Airways insight is a bit of a letdown – especially for those who fly in the cheap seats
By Holden Frith, The Week UK Published
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Burning Desire: from those wonderful folks who brought you lung cancer…
In Depth In this revealing documentary, tobacco chiefs seem disturbingly reasonable in their pursuit of profit
By Holden Frith Published
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Longitude Prize 2014: a vote for the future of British science
In Depth Tonight's Horizon launches a new Longitude Prize to tackle the world's great problems
By Holden Frith Published
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Twitter is not dead – but it has lost its radical ambition
In Depth Twitter was once a network of equals - now it's dividing into a performing class and an audience
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New Battle of the Sexes will only end when internet grows up
In Depth Kirsty Wark documentary addresses online abuse but fails to tackle the witless misogynists
By Holden Frith, The Week UK Published
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Rev's Christian critics miss the point: we like our religion vague
In Depth The Rev Adam Smallbone may displease fundamentalists, but he’s the perfect priest for a post-Christian nation
By Holden Frith, The Week UK Published
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Vox.com and The Upshot: new ways to spread the news
In Depth Two new websites seek to interpret the news rather than just report it – but will it be profitable?
By Holden Frith, The Week UK Published
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Big Allotment Challenge: does a perfect radish make perfect TV?
In Depth New BBC2 show makes Great British Bake-Off seem dangerously subversive by comparison
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Ian Hislop's Olden Days: have I got historical myths for you
In Depth How myths, legends and memories have been used to reshape the past, present and future
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The Trip to Italy: Brydon and Coogan ride again
In Depth It has all the ingredients of the excellent first series, but something's amiss on The Trip to Italy
By Holden Frith, The Week UK Published
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Game of Thrones simulcast: US-UK time lag hits zero
In Depth But why, in the age of video-on-demand, do Brits need to be up at 2am to enjoy the thrill?
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BBC spoofs itself in W1A: brave satire or sheer self-indulgence?
In Depth Team from Twenty Twelve moves effortlessly from Games into New Broadcasting House
By Holden Frith, The Week UK Published
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Vice News: a distinctive voice but will it be heard?
In Depth The founder of Vice, Shane Smith, wants to build 'the next CNN'. Ambitious - but he might just do it
By Holden Frith, The Week UK Published
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37 Days: cricket and sang-froid as Britain awaited World War I
In Depth BBC2's crisp and convincing drama is set in August 1914 as the lamps were going out all over Europe
By Holden Frith, The Week UK Published
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TV revolution: BBC-Amazon deal signals the way ahead
In Depth Prudent auntie: why the BBC is climbing into bed with Amazon to keep 'Ripper Street' alive
By Holden Frith, The Week UK Published
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