Ian Fleming romance points up ambiguous attitude to spying

Why did Edward Snowden's revelations about state surveillance not rattle us? Fleming has the answer

Dominic Copper in Flemming
(Image credit: COPYRIGHT LINE REQUIRED: No Copyright line required)

WHY are the British so blasé about being spied on? When Edward Snowden spilled the beans about the wholesale surveillance of our digital lives, Germany erupted and we barely mustered a shrug.

The answer, or part of it, lies in programmes like Fleming, Sky Atlantic's new war-time drama about Ian Fleming, the creator of James Bond.

Subscribe to The Week

Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

SUBSCRIBE & SAVE
https://cdn.mos.cms.futurecdn.net/flexiimages/jacafc5zvs1692883516.jpg

Sign up for The Week's Free Newsletters

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.

Sign up

Then Naval Intelligence comes knocking, attracted by the keenness of his mind and not too discouraged by his insubordination. "My father told me only two people should be called sir: God and the King," he tells the Rear Admiral. "And I have my doubts about the King."

We can warm to a man like that - a handsome, arrogant bad boy who's fighting the good fight. Dominic Cooper plays him perfectly, his good looks hardened by a lip curled in disdain. It's tough to imagine someone less like the earnest, nerdish Snowden.

Last night's second episode did not quite match the verve and pace of the first, but it was still tremendous fun. Fleming, in full proto-Bond mode, was sent off to Paris to prepare the British embassy for the fall of France. Then, on no one's authority but his own, he set about trying to stop the French fleet falling into German hands.

How much of it is true? Some of it, probably, but the disclaimer flashed up at the end of each episode is unusually broad: events, people, places and other inconvenient truths have all been changed.

But it brings us to another truth, if only in passing. In Britain, espionage conjures Fleming and Bond, sex and danger, dark deeds done for fine reasons. If short-cuts are taken along the way, they merely hasten the path towards a greater good.

In Germany, though, spying and surveillance provoke darker thoughts - of the SS and the Stasi and the crushing fear of state tyranny.

If the Germans were to make a modern-day version of Fleming, the hero would look a lot more like Edward Snowden.

Part 2 of Fleming is repeated on Sky Atlantic at 11pm, Thursday 20 February. Part 3 will be shown on the same channel at 9pm, Wednesday 26 February

Holden Frith is The Week’s digital director. He also makes regular appearances on “The Week Unwrapped”, speaking about subjects as diverse as vaccine development and bionic bomb-sniffing locusts. He joined The Week in 2013, spending five years editing the magazine’s website. Before that, he was deputy digital editor at The Sunday Times. He has also been TheTimes.co.uk’s technology editor and the launch editor of Wired magazine’s UK website. Holden has worked in journalism for nearly two decades, having started his professional career while completing an English literature degree at Cambridge University. He followed that with a master’s degree in journalism from Northwestern University in Chicago. A keen photographer, he also writes travel features whenever he gets the chance.