Shakespeare Live: David Tennant to host BBC event
Stars to mark 400 years of the Bard, but why is the playwright still so popular?
David Tennant is to host a live TV celebration of William Shakespeare to mark the 400th anniversary of the playwright's death.
Shakespeare Live!, which will be broadcast on BBC Two on 23 April, will feature performances from Dame Judi Dench, Sir Ian McKellan, Al Murray, Tim Minchin and Joseph Fiennes, who played the playwright in the hit film Shakespeare in Love, reports the Radio Times. The gala will be a variety bill, featuring not only classical actors, but also opera, ballet and hip-hop inspired by Shakespeare.
It forms part of a weekend of birthday celebrations, with highlights including BBC Two's The Hollow Crown: The Wars of the Roses, starring Benedict Cumberbatch, Keeley Hawes and Sophie Okonedo, and Matt Lucas, Maxine Peake and Elaine Paige in A Midsummer Night's Dream on BBC One.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Tennant, who is currently starring in the RSC's Richard II in London, said he fell in love with the Bard after being "blown away" by a performance of As You Like It.
He was especially drawn to the clown character. "I thought Touchstone was the coolest man," he said.
The plays are, he adds, "catnip for actors".
But just what is the appeal of Shakespeare, 400 years after his death?
An article in the New York Times in the late 1990s, shortly after the release of Shakespeare in Love, noted that while Shakespeare was being dropped from many university courses, regarded as "the quintessential Dead White Male", he remained the most produced playwright in the US.
Why? The newspaper suggested it was the very style and structure of his work – the mixing of genres and both highbrow and popular entertainment; his ambiguity and pursuit of plural truths; his game-playing and gender confusion - which resonate with our age.
But it isn't just in culture or the humanities that Stratford-upon-Avon's most famous son continues to resonate.
Michael Barrett writes in the New Statesman this week that Shakespeare and "Shakespeareomics" have a continuing interest for scientists, including archaeologists, forensics experts, AI specialists and medical researchers.
As part of the birthday celebrations, for example, Will's will is to go on display at Somerset House in London, alongside findings from analyses of the document's paper and ink that help authenticate its origin. Elsewhere, others have wondered if the Bard's esoteric writing might have been influenced by his being high on drugs. A study on chemical traces found in clay pipes dug up in Stratford-upon-Avon, however, revealed no sign of cannabis, providing some evidence against the "High Bard" theory.
Big data is mining the texts not only to explore the question of authorship, but also to train machines to learn and write, while the techniques developed in the studies have helped create algorithm techniques that are being used in medicine to develop cures tailored to individual patients.
Ultimately, says Barrett, understanding the humanities and writers such as Shakespeare "can help us learn to live with our brain, which after all drives our feelings and makes us all we are".
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
'The disconnect between actual health care and the insurance model is widening'
Instant Opinion Opinion, comment and editorials of the day
By Anya Jaremko-Greenwold, The Week US Published
-
Cautious optimism surrounds plans for the world's first nuclear fusion power plant
Talking Point Some in the industry feel that the plant will face many challenges
By Justin Klawans, The Week US Published
-
Explore new worlds this winter at these 6 enlightening museum exhibitions
The Week Recommends Discover the estrados of Spain and the connection between art and chess in various African countries
By Catherine Garcia, The Week US Published
-
New-look books from Penguin's Vintage division
The Blend A bibliophile shares his early fascination with Penguin paperback design and hails a new chapter in the imprint’s cover story
By Robert Johnston Published
-
Rivals: the Jilly Cooper 'bonkbuster' TV hit that everyone's talking about
In the Spotlight 1980s novel hits the small screen, bringing wet dogs, big hair and lots of 'rumpy pumpy'
By Chas Newkey-Burden, The Week UK Published
-
8 touring theater productions to mark on your calendar this fall
The Week Recommends A pop icon, Shakespeare reconsidered and a sublime musical about mortality are all on the boards
By Scott Hocker, The Week US Published
-
Romeo & Juliet: 'all very clever, but to what end?'
The Week Recommends Jamie Lloyd's 'turbo-stylised' production is met with mixed reviews
By Irenie Forshaw, The Week UK Published
-
The London Library and Elizabeth Winkler's female Shakespeare claims
In the Spotlight Critics say an event suggesting Shakespeare may have been a woman is 'wildly inappropriate'
By The Week UK Published
-
Best of the Bard in 2024: the Shakespeare plays everyone's talking about
The Week Recommends A handful of Shakespeare productions are making headlines in the theatre world and they haven't even opened yet
By The Week Staff Published
-
As You Like It: a ‘good-natured comedic romp’
The Week Recommends Actors in their 60s, 70s and 80s unite in the Royal Shakespeare Theatre’s ‘poignant’ production
By The Week Staff Published
-
A Midsummer Night’s Dream review: an ‘assured’ new staging at the Globe
The Week Recommends This production of Shakespeare’s classic ‘doesn’t reinvent the wheel’ but it’s ‘gleeful’
By The Week Staff Published