"It's pink, it's loud – and it's irresistible," said Sarah Crompton on What's on Stage. Jamie Lloyd's production of Shakespeare's "best-loved and richest comedy" rides on a "wave of falling confetti and 1990s pop favourites"; it uses wonderfully choreographed disco dancing to illuminate the battle of the sexes, and features two glorious lead performances that manage to be both "truthful and incredibly funny".
It all makes for a "thoroughly weird and absolutely wonderful reconceptualisation", said Arifa Akbar in The Guardian. Lloyd turns Shakespeare's "comedy, which narrowly swerves tragedy, into an old school house party cum modern romcom", with the sparring lovers clad in spangles, gold shimmer and sequins. It's a "wonderfully giddy thing" – and you'd have to be a "god of stone to not be seduced by its wacky joy".
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