-
Much Ado About Nothing: Tom Hiddleston and Hayley Atwell deliver 'full-on fiery and fleshy' performance
The Week Recommends Jamie Lloyd's adaptation of Shakespeare classic leans on '1990s pop favourites'
The Week Recommends -
The Merchant of Venice: 'nothing short of gripping'
The Week Recommends John Douglas Thompson is 'magisterial' as Shylock
The Week Recommends -
New-look books from Penguin's Vintage division
The Blend A bibliophile shares his early fascination with Penguin paperback design and hails a new chapter in the imprint’s cover story
The Blend -
8 touring theater productions to mark on your calendar this fall
The Week Recommends A pop icon, Shakespeare reconsidered and a sublime musical about mortality are all on the boards
The Week Recommends -
Romeo & Juliet: 'all very clever, but to what end?'
The Week Recommends Jamie Lloyd's 'turbo-stylised' production is met with mixed reviews
The Week Recommends -
The London Library and Elizabeth Winkler's female Shakespeare claims
In the Spotlight Critics say an event suggesting Shakespeare may have been a woman is 'wildly inappropriate'
In the Spotlight -
Best of the Bard in 2024: the Shakespeare plays everyone's talking about
The Week Recommends A handful of Shakespeare productions are making headlines in the theatre world and they haven't even opened yet
The Week Recommends -
Love poems: 20 classics
In Depth Take inspiration from the greats on writing romantic verses
In Depth -
As You Like It: a ‘good-natured comedic romp’
The Week Recommends Actors in their 60s, 70s and 80s unite in the Royal Shakespeare Theatre’s ‘poignant’ production
The Week Recommends -
A Midsummer Night’s Dream review: an ‘assured’ new staging at the Globe
The Week Recommends This production of Shakespeare’s classic ‘doesn’t reinvent the wheel’ but it’s ‘gleeful’
The Week Recommends -
Hamnet review: ‘beautifully acted’ but doesn’t ‘pierce the heart’
The Week Recommends Swan Theatre reopens with stage adaptation of Maggie O’Farrell’s bestselling novel
The Week Recommends -
The Comedy of Errors (more or less) review: Shakespeare with a fun twist
The Week Recommends Contemporary spin on the Bard’s comedy is ‘quite mad’, but has ‘plenty of laughs’
The Week Recommends -
The Tempest review: Alex Kingston gives a ‘revelatory’ performance as Prospero
The Week Recommends Royal Shakespeare Theatre’s new production is ‘inspired’ in part, but has ‘rather clunky’ moments
The Week Recommends -
Othello at the National Theatre review: a ‘sensational’ production
The Week Recommends Clint Dyer has become the first black director to stage Othello at a major British theatre
The Week Recommends
