Architect Antonio Citterio on designing the Bulgari Dubai
Architect and designer Antonio Citterio describes the challenges of bringing to life a five-star resort on an island that’s just as new
With a project such as this, the goal is not merely architectural: it is to create life. We are starting from scratch. The Bulgari Resort and Residences is a big, expensive, time-consuming project that will, once completed in 2017, occupy 158,000 square metres of an island that is made entirely of reclaimed land off the coast of Dubai.
In certain respects, it is easy to work in the centre of a city – although doing so presents its difficulties. The Bulgari hotel in Knightsbridge was a nightmare. A new building in central London? You can’t imagine the complexities. The property in Milan, which was originally a church and a convent, was another interesting story. In Bali, we built in a tropical forest. In Dubai, the project raised the question of how we could go about creating a living space from the void. The very island on which we will be building has only just come into being.
In Europe, we have cities thousands of years old. Bulgari is a Roman company and it speaks proudly of being inspired by the city’s 2,700-year history. Although I’m not from Rome, I understand this pride in a rich, ancient heritage. Dubai, by contrast, is a city with a history of barely half a century. When it was laid out, one of the key considerations was how people would get around, which is why the city centre is divided by a freeway. Personally, I am not convinced that this was the best way to create a city.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
With the Bulgari Dubai, we want to create a village. I would go so far as to say that we are trying to create, on one level, a European experience – one that has to do with a sense of community, of scale, of human relationships. I think of myself sitting in the shade outside a café in a comfortable chair with a cup of coffee and a newspaper, surrounded by other people, feeling a part of the place where I am.
We knew we wanted lots of pedestrian space; this is crucial. You’ll be able to arrive in a car, but it will immediately disappear [into a car park] and you will not have to see any vehicles at all. You will walk everywhere – around a piazza, a marina, public spaces and restaurants. I hope that we can later add a kindergarten, a pharmacy and so on. We want to create a certain kind of ambience. I call this ‘naturality’. I know that is not quite proper English, but I like it: it sounds right.
I believe that one of the most important aspects of my job is to imagine a place coming to life. For me, it is not just about making rooms – it is about making room for this transformation to occur. And the role of the architect is to create that environment.
Another side of ‘naturality’ concerns materials. I have some experience of working in the Gulf region and I know that when you build with high-tech materials, you can make mistakes. Because of the sand in the air and the lack of rain, metal and glass quickly lose their shine, and their appeal – they just look dirty. This can be avoided by using natural materials. They look and age better, which is why you will see a lot of limestone, lava and basalt at the Bulgari Dubai.
Buildings are machines and machines need energy. This has become more and more important in our dense high-rise cities. These complicated machines are sophisticated, but they are also vulnerable. One of the reasons I admire I M Pei’s Museum of Islamic Art in Doha is because it is not only elegant, but functions like an old building – there is fresh air, for instance. It sounds simple, yet it is fundamental. Similarly, in Dubai, there will be a lot of windows, a lot of shade, balconies. We are trying to show you can live comfortably without the machine, so to speak.
I don’t think it would have been possible to do a project of this kind, on this scale, 10 years ago. Back then it would have been a high-rise building – less attention would have been paid to pedestrian space and the idea of community. Things have moved on, in a good way.
As an architect, you can never be sure of getting it absolutely right. I hope that in 10, 20, 30 years’ time, people will look at the Bulgari Dubai and recognise that we brought life and a degree of ‘naturality’ to this amazing city.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Is it safe for refugees to return to Syria?
Talking Point European countries rapidly froze asylum claims after Assad's fall but Syrian refugees may have reason not to rush home
By Richard Windsor, The Week UK Published
-
Quiz of The Week: 14 - 20 December
Have you been paying attention to The Week's news?
By The Week Staff Published
-
Drugmakers paid pharmacy benefit managers to avoid restricting opioid prescriptions
Under the radar The middlemen and gatekeepers of insurance coverage have been pocketing money in exchange for working with Big Pharma
By Theara Coleman, The Week US Published
-
Jumeirah Burj Al Arab: Dubai's outrageous peak of luxury
The Week Recommends The Grande Dame of the city's sea and skyline still towers above competitors in race for best hotels in the world
By Harriet Marsden, The Week UK Published
-
A blowout trip to Dubai without blowing the bank
The Week Recommends Yes, you can get by on little money in the land of excess
By Catherine Garcia, The Week US Published
-
What are digital nomads?
The Explainer Dozens of countries now offer remote working visas but the schemes vary and there are downsides too
By Chas Newkey-Burden, The Week UK Published
-
W Dubai Mina Seyahi hotel review: a laidback five-star fantasy
The Week Recommends This adults-only stay offers luxury with a playful attitude
By Harry McKinley Published
-
Beyoncé’s controversial Dubai payday
Talking Point Singer criticised by human rights campaigners for lucrative appearance
By Chas Newkey-Burden Published
-
Bulgari Resort Dubai review: where luxury fashion meets hospitality
The Week Recommends Stay for the Italian design and Michelin-starred restaurants – but try to leave with the mini-bar…
By Mike Starling Published
-
Jumeirah Zabeel Saray review: live like a sultan on Dubai’s glitzy Palm
The Week Recommends You may never want to leave this stunning Ottoman-inspired resort
By Mike Starling Published
-
Alberto Morillas bottles the scent of ice
In Depth The master perfumer explains his Bulgari Man Glacial Essence
By Felix Bischof Last updated