Age of Terror: Art since 9/11 at IWM London
A new exhibition explores how the art world has responded to terrorist atrocities
Now in its centenary year, the Imperial War Museum was originally conceived to document the military and civil effort of the First World War. But just as modes of conflict have radically changed across the decades, so too has the institution's remit, with its latest major exhibition tackling one of the most important issues of our time – terrorism.
Few events have shaped the public perception of warfare as much as 9/11. Beyond the geopolitical shockwaves it sent across the world, many of which are still very much felt today, its impact was immediate and visceral. Overnight, language changed, security tightened and paranoia set in.
In the 16 years since, the symbolism and significance of the attacks continue to be extensively explored. In the largest exhibition of its kind in the UK, Age of Terror: Art since 9/11 considers the breadth of response from artists across the world, offering a unique visual storytelling of this complex subject.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The exhibition is broken down into four key areas: the direct reaction to the attacks, state surveillance and security, our relationship with firearms, bombs and drones, and the destruction caused by conflict. Each topic is represented with a diverse range of media, spanning film, sculpture, painting, installations, photography and prints, from names including Grayson Perry, Gerhard Richter, Jenny Holzer and Jake & Dinos Chapman.
It marks the first time that Ivan Navarro's 2011 work Twin Towers has been exhibited in the country. Known for his socio-politically charged sculptures, here the Chilean artist has represented the footprint of the former skyscrapers with fluorescent lights that give the illusion of neverending depth. Ai Weiwei, meanwhile, renders a surveillance camera in marble, an exploration of the scrutiny from the state that the Chinese activist has experienced first-hand.
Further highlights include a site-specific installation by James Bridle, which sees the outline of a drone marked on the floor of the atrium – a modern juxtaposition to the museum's main collection highlighting the conflicts of the past.
Age of Terror: Art since 9/11 is at the IWM London until 28 May 2018; iwm.org.uk
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
A growing iodine deficiency could bring back America's goiter
Under the Radar Ailment is back thanks to complacency, changing diets and a lack of public-health education
By Harriet Marsden, The Week UK Published
-
Today's political cartoons - November 10, 2024
Cartoons Sunday's cartoons - civic duty, uncertain waters, and more
By The Week US Published
-
5 ladylike cartoons about women's role in the election
Cartoons Artists take on the political gender gap, Lady Liberty, and more
By The Week US Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published
-
Twisters review: 'warm-blooded' film explores dangerous weather
The Week Recommends The film, focusing on 'tornado wranglers', stars Daisy Edgar-Jones and Glen Powell
By The Week UK Published