What you need to know
Critics have called a major exhibition of the work of British artist Martin Creed What's the Point of It?, opening today at the Hayward Gallery, London, "a multi-sensory work of art in its own right". Creed is known for minimalistic artworks meditating on everyday life, such as his 2001 Turner prize-winning work The Lights going On and Off and the orchestrated ringing bells that marked the start of the 2012 Olympics.
The first major survey of Creed's work takes over the entire Hayward Gallery including its external spaces. Spanning over two decades of his career, it features installations, paintings, video, sculpture, sound and neon art. Runs until 27 April.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
What the critics like
This great new show at the Hayward doesn't so much chart Martin Creed's development as "provide us with a tour of his mind", his doubts, desires and convictions, says Adrian Searle in The Guardian. His art is marked by lightness and bravery, and provides moments of unalloyed pleasure.
Creed is "a showman with an instinct for the stylishly provocative gesture", says Mark Hudson in the Daily Telegraph. And if some of his work is minimal, this extensive Hayward show is startlingly maximal, not simply bringing together Creed's most significant works, but conceived as a multi-sensory work of art in its own right.
Creed has been given the run of the building, "opening up all the galleries so they are at their most imposing and making dramatic use of the balconies", says Ben Luke in the Evening Standard. He is a generous artist and genuinely wants to invite us into his world, to envelop us and provoke in the best sense of the word.
What they don't like
There's a cockiness and clever-cleverness to Creed's approach and "inevitably this starts to grate", says Mark Hudson in the Daily Telegraph. His is an art of smart ideas, but you leave the Hayward feeling there aren't quite enough of them to fill a gallery of this size.
Continue reading for free
We hope you're enjoying The Week's refreshingly open-minded journalism.
Subscribed to The Week? Register your account with the same email as your subscription.
-
Boys from the Blackstuff reviewThe Week Recommends A 'powerful' adaptation of Alan Bleasdale's 'masterpiece'
-
MG4 EV XPower review: what the car critics say
Feature The XPower just 'isn't as much fun' as a regular MG4
-
Black Atlantic: Power, People, Resistance review
The Week Recommends Fitzwilliam Museum exhibition features lives affected by the Atlantic slave trade
-
Private Lives review: a 'witty' revival of Noël Coward's classic comedy
The Week Recommends Patricia Hodge and Nigel Havers play the warring exes in this 'delicious retro treat'
-
Wilderness review: a soapy drama set in the American southwest
The Week Recommends Amazon series starring Jenna Coleman and Oliver Jackson-Cohen is 'full of twists'
-
Volkswagen ID.5 review: what the car critics say
Feature The ID.4's 'sportier, more stylish twin' – but 'don't believe the hype'
-
Jamaica Inn review: a small patch of Caribbean heaven
The Week Recommends Guests will feel like one of the family at this boutique beach resort in Ocho Rios
-
Scottish Women Artists review
The Week Recommends Exhibition uncovers the work of female artists long hidden in 'historical obscurity'
