Book review: When the Dust Settles by Lucy Easthope
Easthope’s memoir of her experiences as a disaster manager is ‘gripping and filled with compassion’
We tend to think of the 18th century Italian adventurer Giacomo Casanova as an “irresistible rake”, said Laura Freeman in The Times. But according to Leo Damrosch, professor of literature at Harvard, the “charming seducer” wasn’t “that charming at all”. Casanova, he argues in this insightful biography, was a serial “abuser” whose behaviour was disturbing even by the standards of his day.
Most of what we know about Casanova comes from his “hugely priapic autobiography”, Histoire de Ma Vie, which he left behind to be published after his death in 1798, said Kathryn Hughes in The Guardian. He maintained that he never resorted to violence or coercion – and that his enjoyment of sex depended on the enjoyment of his partner – but Damrosch points out how “dodgily self-deceiving” this argument was, given the “brutal power dynamics in play”. Casanova often slept with “very young girls” who were, in effect, prostituted to him by their parents. He refused to wear a condom – or, as he put it, “envelop myself in a dead skin”. One episode in his youth, Damrosch writes, was unquestionably “gang rape”.
Although “appalled” by his subject’s behaviour, Damrosch admits to finding him captivating, said Gregory Dowling in The Wall Street Journal. Casanova travelled all over Europe, and “met everyone”, from serving maids, prostitutes and nuns to “great writers and ruling monarchs”. He recorded these meetings in his autobiography, which he wrote in “lonely old age”, when he was impotent and losing his teeth, and it remains a “remarkable” portrait of the society of his day. The “great virtue” of Damrosch’s book is that, while never losing critical distance, he captures what it was about Casanova – his “vivid presentness” and “eagerness” for life – that makes us want to keep reading about him.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Yale University Press 432pp £25; The Week Bookshop £19.99
The Week Bookshop
To order this title or any other book in print, visit theweekbookshop.co.uk, or speak to a bookseller on 020-3176 3835. Opening times: Monday to Saturday 9am-5.30pm and Sunday 10am-4pm.
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Quiz of The Week: 29 November – 5 DecemberQuiz Have you been paying attention to The Week’s news?
-
The week’s best photosIn Pictures A drive in the desert, prayers with pigeons, and more
-
The Week Unwrapped: Will drought fuel global violence?Podcast Plus why did Trump pardon a drug-trafficking president? And are romantic comedies in terminal decline?
-
Wake Up Dead Man: ‘arch and witty’ Knives Out sequelThe Week Recommends Daniel Craig returns for the ‘excellent’ third instalment of the murder mystery film series
-
Zootropolis 2: a ‘perky and amusing’ movieThe Week Recommends The talking animals return in a family-friendly sequel
-
Storyteller: a ‘fitting tribute’ to Robert Louis StevensonThe Week Recommends Leo Damrosch’s ‘valuable’ biography of the man behind Treasure Island
-
The rapid-fire brilliance of Tom StoppardIn the Spotlight The 88-year-old was a playwright of dazzling wit and complex ideas
-
‘Mexico: A 500-Year History’ by Paul Gillingham and ‘When Caesar Was King: How Sid Caesar Reinvented American Comedy’ by David Margolickfeature A chronicle of Mexico’s shifts in power and how Sid Caesar shaped the early days of television
-
Homes by renowned architectsFeature Featuring a Leonard Willeke Tudor Revival in Detroit and modern John Storyk design in Woodstock
-
Film reviews: ‘Hamnet,’ ‘Wake Up Dead Man’ and ‘Eternity’Feature Grief inspires Shakespeare’s greatest play, a flamboyant sleuth heads to church and a long-married couple faces a postmortem quandary
-
We Did OK, Kid: Anthony Hopkins’ candid memoir is a ‘page-turner’The Week Recommends The 87-year-old recounts his journey from ‘hopeless’ student to Oscar-winning actor