Film review: West Side Story 

Steven Spielberg’s ravishing remake of the classic 1961 musical

Steven Spielberg’s West Side Story
Steven Spielberg’s West Side Story
(Image credit: 20th Century Studios)

Whatever you think of The Hand of God, said Adam White in The Independent, “you’ll be Googling one-way tickets to Naples by the end of it”. The film matches the “dazzling maximalism” of Paolo Sorrentino’s 2014 Oscar-winning triumph, The Great Beauty, but this time we are not in Rome, but in the sun-drenched Naples of the writer-director’s childhood. It is the 1980s, and the city is “gripped with Diego Maradona fever”. Filippo Scotti – “think Timothée Chalamet with a bowl of spaghetti” – plays Sorrentino’s alter ego, Fabietto, a teenage boy who is “abuzz with excitement” at the prospect of the Argentine footballer transferring to his home city. But halfway through the film, Fabietto is struck by a “surreal tragedy” that sets him on a dark new path.

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