Jurassic World Dominion review: ‘dismal’ script stifles Dern-Neill-Goldblum reunion
Disappointing sixth instalment of the dinosaur franchise is an ‘extinction-level event’
Comedians Tom Palmer and Tom Stourton made their names with the YouTube hit High Renaissance Man, in which they sent up clueless toffs at university, said Peter Bradshaw in The Guardian. It was “very funny”, but their jointly scripted debut feature film is a “dark satire”, and it doesn’t quite come off.
Pete, an entitled 31-year-old (played by Stourton), has just returned from doing charity work abroad, and decides to reconnect with his old gang from university, one of whom offers to host a birthday weekend for him at his “colossal country estate”. There Pete starts to sense that his chums have an unspoken agenda, and that he’s the punchline to an unkind joke that he doesn’t understand. It’s an interesting enough premise, but the film leads up to “a big reveal that feels anticlimactic and undeveloped”, and seems a bit of a waste of Stourton’s natural comic talent.
If you have a university reunion on the horizon, I wouldn’t go and see All My Friends Hate Me, said Deborah Ross in The Spectator. This is “social anxiety as horror (almost), and you won’t just cringe for the full 90 minutes, you will violently cringe”. I’m not sure what the film’s message is – “once a jerk always a jerk?” – but it creates a horrible “vortex of tension and anxiety”, and it is extremely compelling, and surprising.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
I liked it very much, said Kevin Maher in The Times. It’s largely a drama about the class system, and takes “raw swipes at the persistent inequities” within it; but the “nuanced and sophisticated script never once degenerates into needless posh-bashing”. Instead, it asks “bleak questions about the primitive nature of most social relationships (who’s using whom?). And it ultimately finds that human beings, of all classes, are severely lacking.”
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
The Week contest: Tornado wedding
Puzzles and Quizzes
-
Real estate: A turning point for home prices?
Feature After soaring prices and bidding wars, homebuyers finally have the upper hand
-
Marfa, Texas: Big skies, fine art, and great eating
Feature A cozy neighborhood spot, a James Beard semifinalists, and more
-
Marfa, Texas: Big skies, fine art, and great eating
Feature A cozy neighborhood spot, a James Beard semifinalists, and more
-
6 light-filled homes on the Jersey Shore
Feature Featuring a Victorian with a wraparound porch in Beach Haven and a condo with ocean views in Asbury Park
-
This week's dream: Exploring Rome's underground
Feature Beneath Rome's iconic landmarks lies a hidden world
-
Art review: Adrien Brody: Made in America
Feature Eden Gallery, New York City, through June 28
-
Film reviews: The Life of Chuck, How to Train Your Dragon, and From the World of John Wick: Ballerina
Feature A backward trip through one ordinary life, a young Viking tames a monstrous foe, the franchise's new assassin chases revenge
-
John Kenney's 6 favorite books that will break your heart softly
Feature The novelist recommends works by John le Carré, John Kennedy Toole, and more
-
Book reviews: 'Buckley: The Life and the Revolution That Changed America' and 'How to Be Well: Navigating Our Self-Care Epidemic, One Dubious Cure at a Time'
Feature How William F. Buckley Jr brought charm to conservatism and a deep dive into the wellness craze
-
Sly Stone: The funk-rock visionary who became an addict and recluse
Feature Stone, an eccentric whose songs of uplift were tempered by darker themes of struggle and disillusionment, had a fall as steep as his rise