Sachi at Pantechnicon review: sensational sushi in a sublime setting
Fresh ingredients used creatively is the game at this new Belgravia dining spot
Sachi translates to happiness in Japanese, which felt fitting for the name of a restaurant that I left with a stuffed belly and an enormous smile on my face last week.
This trendy dining spot in the heart of Belgravia opened on 21 July, with its menu crafted by head chef Collin Hudston (formerly of Roka) and executive chef Chris Golding (of Nobu and Zuma, another top Japanese restaurant in Knightsbridge).
The restaurant is located on the lower ground floor of Pantechnicon - the swanky, five-storey Nordic and Japanese food and shopping centre which opened in September last year. The Pantechnicon building, originally built in 1830, also features a rooftop bar, Nordic-inspired shop and studio space, and the first UK outpost of iconic Japanese brand Café Kitsuné.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Despite there being no natural light, Sachi is a breathtaking space. Its open-plan dining room was designed in keeping with the philosophy of Japanese minimalism, where there are no gimmicks or unnecessary adornments. The room is accessed through a stunning living plant installation that contains both real and artificial flora, while calming tropical creepers are draped around internal beans and ceiling fittings.
Guests can choose to sit at a central table, in a noren-covered, Covid-friendly private booth or at the eight-seater sushi counter, crafted from warm oak, brass and blue clay brick, to watch the chefs at work. There’s also a private dining room which is used for parties and sake masterclasses, as well as a late-night bar inspired by Tokyo’s secret speakeasies that serves rare Japanese whiskies.
The ingredients of each plate on the tantalising food menu are grown and sourced from independent producers in the UK (the trout, for example, is organically reared in Scotland and many of the greens hail from Sussex). The menu is extensive but not overwhelming; for a table of two, a recommended order is two or three sushi dishes and then one fish, one meat and one vegetable dish.
We had the pleasure of sampling a variety of fabulously fresh sushi including bright pink masu (trout) and blood-red otoro (fatty tuna belly) sashimi, as well as masuko (trout roe) and suzuki (sea bass) nigiri. Rather than individually choosing our sushi, we went for the “chef’s selection”, which I highly recommend as it forces you to branch out from your ordinary order.
As well as the sashimi and nigiri, we tried the toro maki rolls made from bluefin tuna belly (one of the most prized cuts), spring onion and buckwheat. The contrast of the soft-as-silk tuna with the crunch of the spring onion made this a complete showstopper of a dish and among our favourites of the evening. We also ordered the nigiri special which featured buttery wagyu beef Tatar and was even better than we anticipated.
Along with some sake-based cocktails, we washed down our sushi with light but warming robusutā miso, a twist on the classic Japanese miso soup which decadently featured small chunks of lobster within the salty-sweet broth.
Next up was “ankou bubu arare 9 monkfish” - soft monkfish encased in crispy rice, which my dining companion (who generally is not a big fish eater) said was one of the most delicious things he’d ever tasted. We also tried the beef short ribs which were served in a black garlic sauce and with a side of fermented mushrooms which definitely had an umami quality once you overcame their slightly odd texture.
Our final dish, which we scarcely had space for, was one of Sachi’s bestselling items: miso aubergine. This was cooked to perfection - perfectly charred and crispy on the outside, yet creamy and silken on the inside - and came with a side of tangy green tomatoes.
The restaurant is still trialling its desserts but after such a colossal meal we were quite happy to call it a day. The lovely staff did, however, bring us two slices of cake to sample as part of their dessert recipe testing (if both make it onto the eventual pudding menu, you won’t be disappointed).
Sachi certainly isn’t cheap but if you’re a sushi fanatic like me then it’s more than worth making a special trip for. Everything we tried was exceptional, with the restaurant itself so thoughtfully designed and authentically Japanese in style. I admire anyone who is attempting to launch a new restaurant during the pandemic and I wish the team behind Sachi every success. They deserve it.
Sachi, 19 Motcomb Street London SW1X 8LB; pantechnicon.com/sachi
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Kate Samuelson is The Week's former newsletter editor. She was also a regular guest on award-winning podcast The Week Unwrapped. Kate's career as a journalist began on the MailOnline graduate training scheme, which involved stints as a reporter at the South West News Service's office in Cambridge and the Liverpool Echo. She moved from MailOnline to Time magazine's satellite office in London, where she covered current affairs and culture for both the print mag and website. Before joining The Week, Kate worked at ActionAid UK, where she led the planning and delivery of all content gathering trips, from Bangladesh to Brazil. She is passionate about women's rights and using her skills as a journalist to highlight underrepresented communities. Alongside her staff roles, Kate has written for various magazines and newspapers including Stylist, Metro.co.uk, The Guardian and the i news site. She is also the founder and editor of Cheapskate London, an award-winning weekly newsletter that curates the best free events with the aim of making the capital more accessible.
-
Today's political cartoons - December 21, 2024
Cartoons Saturday's cartoons - losing it, pedal to the metal, and more
By The Week US Published
-
Three fun, festive activities to make the magic happen this Christmas Day
Inspire your children to help set the table, stage a pantomime and write thank-you letters this Christmas!
By The Week Junior Published
-
The best books of 2024 to give this Christmas
The Week Recommends From Percival Everett to Rachel Clarke these are the critics' favourite books from 2024
By The Week UK Published
-
How London fell back in love with the brasserie
The Blend From Brasserie Zédel to Café François, we sample the best bistros in town
By Charlie Teasdale Published
-
Why a Michelin star can spell danger for restaurants
In the Spotlight Winning chefs face heightened financial pressures, changing customer demands and professional limitations
By Harriet Marsden, The Week UK Published
-
8 award-winning restaurants to visit this fall
The Week Recommends It's the season for dropping magazine restaurant and chef awards
By Scott Hocker, The Week US Published
-
A foodie guide to Seattle
The Week Recommends From bustling markets to burger joints, these are the best spots in the city
By Neil Davey Published
-
A foodie guide to St Andrews
The Week Recommends The Scottish seaside town has it all, from cheese toastie shacks to Michelin-starred restaurants
By Irenie Forshaw, The Week UK Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published