Legacy review: a star in the making in York
This intimate restaurant at The Grand hotel is a fine setting for Ahmed Abdalla’s assured cooking
A confession. I visited The Grand, York hotel’s new restaurant Legacy late last year, not long after it had opened and held off on this review. Why? Because rather than take my word for the quality of the cooking or, in the one or two early weaker spots, the obvious potential, I wanted to give it the chance to bed-in a little, and fully expected Michelin to have backed up my vaguely inevitable gushing. And it has.
Well, the Michelin Guide has given Legacy a mention which, for a restaurant less than a year old, is still an achievement. But I thought it may have received the higher praise of a star – which head chef Ahmed Abdalla happily admits is the ultimate aim – or, at the very least, a Bib Gourmand. Because when Legacy is good, it really is that good.
The interiors
The name “Legacy” is well chosen, a nod to the “inspiring engineers and architects of York’s past”, the people who made York what it was and what it is, but also to the local provenance of the great Yorkshire produce at the heart of this modern British menu.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The room is small and intimate – just 26 covers, in fact – and decorated with portraits of pioneering locals, plus original oak panelling, ironwork and blueprint murals of this Grade II listed building. Remarkably, for a room that references its surroundings so strongly it also manages to avoid feeling like a hotel restaurant.
It’s a fine setting for Abdalla’s assured cooking (and sommelier Derek Scaife’s charm and clever wine matching), available as either an eight-course tasting menu for £120 a head or – a recent addition – a five-course at £95. Given the special occasion nature of the setting, I’d suggest the former…
The food
Things start in suitably classic form with a Parker House roll which, served with cultured butter, and goats herb butter, is the kind of thing you could eat about 17 of, but better to save a little to mop up course two, a Jersey Royal Velouté , with oak smoked cheddar and chicken skin. It’s a delight of a dish, familiar and comforting, a simple, subtly elevated celebration of the ingredients, and very delicious. This is a theme that continues through the subsequent courses, such as celeriac with black garlic and truffle, and, particularly, halibut with cauliflower and mousseline sauce.
Trio of Yorkshire lamb follows, and it’s the only slight misfire. It’s tasty but as the final “main” dish and thus the “peak” of the meal, it doesn’t quite hit the heights of previous (or, as it turns out, subsequent) dishes. And, as an aside, I always wonder about serving meat on the bone in such surroundings. As any fule kno, the meat right on the bone is the best bit, but look around any smart restaurant and you’ll watch people attempt (and generally fail) to pare off that particular nugget with a knife, or leave it on the bone either out of ignorance or, worse, with a wistful, longing stare.
Just pick it up and eat it with your fingers. Seriously. It’s fine. But, given that so many are confused and fail this bit of restaurant etiquette, perhaps it falls onto chefs to either explain (and send out a fingerbowl) or remove it in the kitchen? It’s not a hill I’m looking to die on, but a lot of people do seem to panic in such surroundings…
I digress. Hell, it’s me, I do that. Desserts brought everything back to full admiration for the kitchen. Both the palate-refreshing Annabel’s Strawberry, a trifle-esque mouthful or two of strawberry granita topped with a lavender and chamomile foam and, particularly, Grand Honey, a dish destined to be a signature, if it’s not already. The honey comes from the hotel’s own bees – you can see them on the roof if you’re staying in the new extension – and runs through a honey/elderflower/yuzu combination of panna cotta and ice cream and shards of meringue and a honeycomb-shaped sweet crisp.
The verdict
This was a fine, fine meal at a very new restaurant and my understanding is it’s already more relaxed and assured, a state the Michelin recognition would appear to reflect. One suspects though that Michelin aren’t quite finished with this one just yet…
Neil Davey was a guest of Legacy restaurant at The Grand, York. Station Rise, York, North Yorkshire YO1 6GD; thegrandyork.co.uk/legacy
Sign up for the Food & Drink newsletter for recipes, reviews and recommendations
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Caroline Quentin shares her favourite books
The Week Recommends The actor shares works by Patrick Hamilton, Liz Knight and Elizabeth Taylor
By The Week UK Published
-
Crossword: December 20, 2024
The Week's daily crossword puzzle
By The Week Staff Published
-
Sudoku medium: December 20, 2024
The Week's daily medium sudoku puzzle
By The Week Staff Published
-
How London fell back in love with the brasserie
The Blend From Brasserie Zédel to Café François, we sample the best bistros in town
By Charlie Teasdale Published
-
Why a Michelin star can spell danger for restaurants
In the Spotlight Winning chefs face heightened financial pressures, changing customer demands and professional limitations
By Harriet Marsden, The Week UK Published
-
8 award-winning restaurants to visit this fall
The Week Recommends It's the season for dropping magazine restaurant and chef awards
By Scott Hocker, The Week US Published
-
A foodie guide to Seattle
The Week Recommends From bustling markets to burger joints, these are the best spots in the city
By Neil Davey Published
-
A foodie guide to St Andrews
The Week Recommends The Scottish seaside town has it all, from cheese toastie shacks to Michelin-starred restaurants
By Irenie Forshaw, The Week UK Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published