Art by the sea: exhibitions in Venice

Jean Cocteau's work continues to loom large in the imagination

Jean Cocteau's work being observed in Venice
Jean Cocteau's work is as intriguing as ever
(Image credit: Roberto Serra / Iguana Press / Getty Images)

Whether it's a swimming-pool mosaic, a mural, a ceramic vase or a piece of Schiaparelli Surrealist jewellery, the creative world is riding a Jean Cocteau wave, with designers and makers lapping up his liquid lines, silhouetted nudes and interpretations of classical mythology. 

But the prodigiously talented Cocteau (1889-1963) has always loomed large in the imagination, ever since the Frenchman first started sketching, sculpting and making. The Peggy Guggenheim Collection in Venice is paying tribute to this avant garde trailblazer in the current exhibition "The Juggler's Revenge", the largest Cocteau retrospective to be shown in Italy

The mischievous title is taken from Philippe Halsman's celebrated portrait, commissioned for Life magazine in 1949, picturing the auteur with a multitude of arms to symbolise his restless spirit and mastery of many art forms spanning poetry, novels, filmmaking, drawings, jewellery, tapestries, books, photographs and graphics. Back in the 1930s, Cocteau was dubbed a dilettante. Today, he might be called a polymath or a Renaissance man. 

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In turn, Cocteau frequently visited Venice, gathering inspiration for a whole body of drawings also on show. As W.H. Auden commented, Cocteau's work excites elation and intrigue. "Happiness is a surer sign of wisdom than we are apt to think, and perhaps Cocteau has more of it than some others." guggenheim-venice.it/en

What else to see 

Fondazione Giorgio Cini

One of the oldest living artists, 96-year-old Alex Katz is the subject of a major show at Fondazione Giorgio Cini. "Claire, Grass and Water" features works created between 2021 and 2022. One is based on the clothes of mid-century American fashion designer Claire McCardell, with large-scale depictions of inky oceans and grassy terrain. cini.it/en

Museo Correr

Museo Correr in Venice is hosting "Musei delle Lacrime" ("Museums of Tears"), conceived by Francesco Vezzoli and curated by Donatien Grau. It explores Vezzoli's practice of embroidering tears onto iconic artworks, which began 30 years ago. 'It's my way of liberating this symbolically charged fluid within the realm of art history,' says Vezzoli. correr.visitmuve.it/en/home

Pinault Collection

Bringing our perception of reality into frame, Pierre Huyghe has transformed the Punta della Dogna into a fictional land inhabited by human and non-human creatures. Fictions, to him, are 'vehicles for accessing the possible or the impossible – what could be or could not be,' and he works with AI to co-author the installations, entitled Liminal, that question man's place on Earth. pinaultcollection.com

A version of this article appears in The Blend, distributed with The Week magazine.

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