The world-famous graffiti artist Banksy has finally been unmasked as Robin Gunningham from Bristol, following a months-long exposé by Reuters, which took investigators from Ukraine to London to New York.
His identity has been “debated, and closely guarded, for decades”, but the news agency said its story was in the public interest because it was vital to understand “the identity and career of a figure with his profound and enduring influence on culture, the art industry and international political discourse”.
‘The police could find him and arrest him easily’
The only problem is that Banksy’s real identity has been an open secret for nearly two decades, with Gunningham’s name first linked to the artist in the Mail on Sunday in 2008.
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“If you google Banksy and Gunningham you get something like 43,500 hits”, said Steve Le Comber, co-author of a 2016 study at Queen Mary University of London that used geographic profiling to cross-reference 140 Banksy artworks in London and Bristol with the 10 names most commonly associated with the artist.
Because Gunningham’s name has been linked with Banksy for so long, there may be a temptation to respond to the Reuters report “with a shrug”, said The Telegraph. But his outing, and revelations he legally changed his name to the more common David Jones, “may have more serious consequences than providing titillation for the arts crowd”.
This is in part because his “uniqueness stems from the fact that his work is often done using subterfuge, under cover of night or with a team of operatives equipped with fake filming permits or disguised as builders”.
Much of his work could be considered as acts of criminal damage, said Will Ellsworth-Jones, the author of two books on Banksy and his work. This revelation “makes it much more difficult for him… He’d be easy to find now and easy to be charged,” he told The Telegraph. “The police could, if they wanted to, find him and arrest him easily.”
‘People want him to be anonymous’
It may not be new news but it’s still “big news, because Banksy is big news”, said Eddy Frankel in The Times. His work may not appear in any major art institutions but “his influence is pervasive”. The “fascinating thing” is that despite his true identity being public knowledge for close to two decades, “the public want him to be anonymous, covert, secretive”.
“They would rather believe his identity is a mystery than admit that their favourite anti-establishment art rebel is a shortsighted bloke from Bristol called Robin.”
Banksy’s lawyer Mark Stephens has said the Reuters investigation “would violate the artist’s privacy, interfere with his art and put him in danger”, as “working anonymously or under a pseudonym serves vital societal interests.”
The artist has chosen to keep his identity unknown as “a way of continuing to work without the constraints of fame” and “an anonymity which also served as a means of protection from police prosecution”, said David Mouriquand on Euronews. Additionally, “part of the appeal resides in the riddle” so once it is solved “you inadvertently dent the artist’s tantalising elusiveness and his/her/their sense of unpredictability, as well as endanger his freedom of movement and expression”.
“Giving a name to the most famous street artist of our time also means taking something away from the myth – reducing the distance between the work and its creator, transforming a nearly symbolic figure into a person that can be debated, mocked, or judged,” said Anna Frattini on culture website Collater.al.
