As You Like It: Ralph Fiennes directs Shakespeare comedy with 'depth'
Harriet Walter is 'splendidly wistful and sardonic' as the melancholy Jacques

Over his brilliant three-decade career, Ralph Fiennes has "proven himself to be a Shakespearean actor with gravitas", said Arifa Akbar in The Guardian. Now, he's turned his hand to directing one of the Bard's greatest comedies, "As You Like It".
Fiennes isn't known for his "comic chops" and he brings a "depth to this pastoral" that "dares to venture into sombreness". It's clear he wants to avoid rushing through the text, and instead he draws emotion from scenes that are often "swallowed up in faster-paced productions".
The humour is "subdued" in the opening scenes, said Holly O'Mahony in The Stage, as is the stripped-back set. But the mood soon starts to "lighten" and the projected Forest of Arden comes into "vibrant green bloom" as Rosalind (Gloria Obianyo), disguised as Ganymede, "gets cracking on her plan" to tutor lovesick Orlando (Charlie Rowe) in the art of wooing.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.

Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
Obianyo's "wit glitters" as Rosalind, and she delivers her lines "as though plucked fresh from the forge", said Kris Hallett in WhatsOnStage. But it is Amber James, as Celia, who "lingers most vividly in the memory". Her character, too often overshadowed by Rosalind, dazzles in her own right here with a "performance so alive, one longs for Shakespeare to have penned her another play". Fiennes directs with a "light hand, more gardener than architect, clearing space for his actors to flower".
Harriet Walter is "splendidly wistful and sardonic as the melancholy Jacques", delivering the Seven Ages of Man speech while casually taking bites of an apple, said Dominic Cavendish in The Telegraph. But the production itself, while "fitfully captivating", could do with lightening up.
Fiennes' production could certainly "afford to be more kittenish in places", said Sarah Hemming in the Financial Times. Still, he brings "wisdom and depth" to Shakespeare's beloved comedy, and it's a "lovely, delicate staging", brimming with "deft" performances.
At Theatre Royal Bath until 6 September; theatreroyal.org.uk
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
Irenie Forshaw is a features writer at The Week, covering arts, culture and travel. She began her career in journalism at Leeds University, where she wrote for the student newspaper, The Gryphon, before working at The Guardian and The New Statesman Group. Irenie then became a senior writer at Elite Traveler, where she oversaw The Experts column.
-
Why the world is going mad about Taylor Swift's wedding
The pop star unveiled diamond ring in cosy snaps with fiancé Travis Kelce earlier this week
-
Hostage: Netflix's 'fun, fast and brash potboiler'
The Week Recommends Suranne Jones is 'relentlessly defiant' as prime minister Abigail Dalton
-
France political crisis: what does Bayrou's gamble mean for Macron?
The French president could see his authority damaged beyond repair should another of his governments fail
-
Shakespeare not an absent spouse, study proposes
speed read A letter fragment suggests that the Shakespeares lived together all along, says scholar Matthew Steggle
-
Much Ado About Nothing: Tom Hiddleston and Hayley Atwell deliver 'full-on fiery and fleshy' performance
The Week Recommends Jamie Lloyd's adaptation of Shakespeare classic leans on '1990s pop favourites'
-
The Merchant of Venice: 'nothing short of gripping'
The Week Recommends John Douglas Thompson is 'magisterial' as Shylock
-
New-look books from Penguin's Vintage division
The Blend A bibliophile shares his early fascination with Penguin paperback design and hails a new chapter in the imprint’s cover story
-
8 touring theater productions to mark on your calendar this fall
The Week Recommends A pop icon, Shakespeare reconsidered and a sublime musical about mortality are all on the boards
-
Romeo & Juliet: 'all very clever, but to what end?'
The Week Recommends Jamie Lloyd's 'turbo-stylised' production is met with mixed reviews
-
The London Library and Elizabeth Winkler's female Shakespeare claims
In the Spotlight Critics say an event suggesting Shakespeare may have been a woman is 'wildly inappropriate'
-
Best of the Bard in 2024: the Shakespeare plays everyone's talking about
The Week Recommends A handful of Shakespeare productions are making headlines in the theatre world and they haven't even opened yet