Palo Alto – reviews of 'dreamy, lyrical' coming-of-age film
Gia Coppola makes impressive debut with lyrical take on James Franco's tales of teen angst
What you need to know
American coming-of-age drama Palo Alto opens in UK cinemas today. The film, a debut for Gia Coppola, granddaughter of Francis Ford Coppola (and niece of Sofia Coppola), is based on a collection of short stories by James Franco, who also appears in the film.
It tells the stories of the interconnected lives of a group of teenagers in Palo Alto, California, focusing on shy class virgin April (Emma Roberts), who is torn between a flirtation with her football coach Mr B (Franco), and her unrequited crush on Teddy (Jack Kilmer) an introspective artist, troubled by his reckless best-friend, Fred, whose life is spiralling out of control.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
What the critics like
It's "an impressive debut by an exciting new talent", honest and moving, says Ian Freer in Empire. Coppola has a lovely languid, dream-like style and makes you care by drawing terrific performances from her young quartet.
It's "a drifty, appealing story about that twilight period between childhood's end and the start of young adulthood", says Manohla Dargis in the New York Times. Coppola captures that exquisitely tender, moving moment and pulls you in with colour, light and feelings as lovely as caresses.
"The Coppola family business would appear to be in safe hands for another generation if Gia Coppola's debut feature Palo Alto is anything to go by," says Alistair Harkness in The Scotsman. She has a dreamy, photographer's eye for detail and a lyrical, unobtrusive style, which she uses to wonderful effect in this wispy evocation of teenage life.
What they don't like
Emma Roberts is the standout as April, but away from her, "the film drifts and drags, and some of the image-making is rote", says Tom Shone in The Guardian. There's a slightness to Franco's teen angst stories, but Coppola senses this and handles them gracefully.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Today's political cartoons - November 12, 2024
Cartoons Tuesday's cartoons - judgemental looks, Europe's bumpy ride, and more
By The Week US Published
-
Will Gary Lineker's departure be an own goal for the BBC?
Today's Big Question Former star striker turned highest-paid presenter will leave Match of the Day after 25 years, with BBC head of sport reportedly declining to offer him a contract
By Harriet Marsden, The Week UK Published
-
The potential impact of Trump tariffs for the UK
UK goods exports to the US could be hit with tariffs of up to 20% seriously affecting the British economy
By Sorcha Bradley, The Week UK Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published
-
Twisters review: 'warm-blooded' film explores dangerous weather
The Week Recommends The film, focusing on 'tornado wranglers', stars Daisy Edgar-Jones and Glen Powell
By The Week UK Published