Kajaki: The True Story - reviews of ‘blistering war pic'
Tale of British soldiers trapped in an Afghanistan minefield is 'tense, blackly comic and troubling'
What you need to know
A new drama about British soldiers in Afghanistan, Kajaki: The True Story, has opened in UK cinemas. Directed by Paul Katis, it is based on the true story of Mark Wright, a British soldier who helped save the lives of injured soldiers in Helmand Province.
Set in 2006, it tells the story of a small group of British soldiers on a routine patrol in Helmand who become trapped in a mine-laden riverbed. As attempts to extract them cause more havoc they realise that each step they take could be their last.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
What the critics like
Kajaki proves that you don't need an Apocalypse Now budget and Marlon Brando "to give us a palpitating glimpse into the abyss", says Tim Robey in the Daily Telegraph. This excruciatingly tense picture is impressively committed to ground-level realism, with a uniformly strong ensemble and a boisterous sense of gallows humour.
Kajaki "lulls unsuspecting viewers with its droll, authentic portrait of base camp routine", before steering matters sharply into urgent (and bloody) life-or-death territory, says Guy Lodge in Variety. With muscular technical brio that belies its limited budget, it's a thriller in which single footsteps become wince-inducing dramatic pivots, while never exploiting real-life carnage for shock effect.
This expertly made, "blistering war pic", is not about fighting to win as much as fighting to survive, says Nev Pierce in Empire. Tense, blackly comic and troubling because it's so recent and so real, it will make you flinch and could make you cry.
What they don't like
With its unswerving commitment to depict the soldiers as ordinary men in an extraordinary situation "Kajaki remains fundamentally incurious about wider political considerations", says Andrew Pulver in The Guardian. With barely a shot fired in anger, and little evidence of actual Afghans, it's clear the subject matter was picked to avoid such thematic quicksand, still, this film possesses a lacerating power.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Today's political cartoons - November 10, 2024
Cartoons Sunday's cartoons - civic duty, uncertain waters, and more
By The Week US Published
-
5 ladylike cartoons about women's role in the election
Cartoons Artists take on the political gender gap, Lady Liberty, and more
By The Week US Published
-
The right to die: what can we learn from other countries?
The Explainer A look at the world's assisted dying laws as MPs debate Kim Leadbeater's proposed bill
By The Week Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published
-
Twisters review: 'warm-blooded' film explores dangerous weather
The Week Recommends The film, focusing on 'tornado wranglers', stars Daisy Edgar-Jones and Glen Powell
By The Week UK Published