Stephen Colbert is bemused at Michael Flynn's 'treason' bomb, baffled by Trump's personal war on Christmas
"I tell you, I'm beginning to think Donald Trump destroys everyone he touches," Stephen Colbert mused on Tuesday's Late Show. "He is like the King Midas of crap," and "the latest Trump aide to hit the fan" is former National Security Adviser Michael Flynn. Flynn was in court Tuesday to be sentenced for lying to the FBI, and President Trump "was on the sidelines, cheering him on," Colbert said, reading the relevant tweet, which he suggested amounted to "witness tampering in real time."
Flynn's lawyers argued last week that the FBI tricked him into lying by not telling him lying to the FBI is a crime, and the judge at the sentencing hearing, Emmet Sullivan, asked why he pleaded guilty, then. "Over and over, the judge asks Flynn, Do you really want to do this?" Colbert paraphrased. "He's like a tattoo artist at 2 a.m. with a drunk customer who keeps saying, 'No, I'm sure I want my whole back covered with a picture of Tweety Bird puking on Calvin.'" Judge Sullivan was less understanding when it came to Flynn's lobbying work for Turkey, and he told him so in no uncertain terms.
"Probably not a great sign when you're not charged with treason but the judge really wants to know why not," Colbert reasoned. After hinting at treasonous actions, Sullivan asked Flynn if he wanted to postpone his sentencing so he could try to lessen his punishment by cooperating more with Special Counsel Robert Mueller. "That's a tough call — that's like choosing between apples and decades in prison," Colbert explained. (Flynn chose the apples.) He ended with Trump's baffling personal war on Christmas, a holiday he reportedly doesn't like because it's not about him: "How self-obsessed can you get? I'd say he's Scrooge, but Trump would probably enjoy a visit from those ghosts." Watch below. Peter Weber
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Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.
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