2 key Oscar snubs raise red flags for A Star is Born's Best Picture chances
A Star Is Born is looking less and less like a Best Picture Oscar winner.
The film, which was once thought to be the frontrunner for Best Picture at the Academy Awards but came up short at previous awards shows in recent weeks, picked up eight nominations on Tuesday. It came in behind The Favourite and Roma, which each received 10 nominations. Eight isn't a bad haul to be sure, but the film was snubbed in two key categories that bring its Best Picture chances into even greater doubt.
The first is Best Film Editing, a category in which the eventual Best Picture winner is virtually always nominated. That's been the case at every single Oscars in the past 20 years except in 2015 when Birdman was left out, although this made some sense considering the film was presented as taking place in one long shot without any edits. Weirdly, though, Roma was also snubbed for Best Film Editing this year, despite being the clear Best Picture favorite.
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More importantly, Bradley Cooper was left out of the Best Director category for his work on A Star Is Born. It's extremely rare that a film wins Best Picture without its director being nominated. Only once in the past 20 years has that happened: with Argo's Ben Affleck in 2013, which was a big deal at the time because of how uncommon an occurrence it was.
Neither of these snubs rule out a win for A Star Is Born. But this, coupled with the movie's disappointing performance at the Golden Globe Awards, the Critics Choice Awards, and the Producers Guild of America Awards, does not paint a pretty picture.
If A Star Is Born is to have any chance of winning Best Picture, it must turn things around at the upcoming Screen Actors Guild Awards and Directors Guild Awards. If it's unable to, this could very well be Roma's year.
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Brendan worked as a culture writer at The Week from 2018 to 2023, covering the entertainment industry, including film reviews, television recaps, awards season, the box office, major movie franchises and Hollywood gossip. He has written about film and television for outlets including Bloody Disgusting, Showbiz Cheat Sheet, Heavy and The Celebrity Cafe.
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