Christo, public artist famous for wrapping buildings in fabric, has died at 84
Christo, the Bulgarian-born artist famous for his ambitious, ephemeral public art installations, died Sunday at his longtime home in New York City of natural causes, his office said in a statement. He was 84. Christo and his wife, Jeanne-Claude, worked together for 48 years until her death in 2009, mostly wrapping fabric around buildings, across landscapes, and over water.
"Christo lived his life to the fullest, not only dreaming up what seemed impossible but realizing it," the statement said. "Christo and Jeanne-Claude's artwork brought people together in shared experiences across the globe, and their work lives on in our hearts and memories."
Christo Vladimirov Javacheff was born in Gabrovo, Bulgaria, in 1934, on the same day as his future wife, Jeanne-Claude Denat de Guillebon. He studied at the Fine Arts Academy in Sofia before moving to Prague, Vienna, Geneva, and finally Paris, where he met Jeanne-Claude in 1958. They were married in 1960, and their first major work involved covering oil barrels in fabric in Cologne's harbor.
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Their other famous projects included surrounding 11 islands in Biscayne Bay, Miami, in pink "skirts" (1983); erecting 3,100 giant umbrellas in California and Japan (1991); "Wrapped Reichstag" (1995), where they covered Germany's parliament building in fabric; and "The Gates" in New York City's Central Park (2005). (You can view all their projects at their website.)
Christo and Jeanne-Claude paid for all of their installations by selling drawings, scale models, and other preparatory material for the projects, The Associated Press reports. "I like to be absolutely free, to be totally irrational with no justification for what I like to do," Christo said. "I will not give up one centimeter of my freedom for anything."
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Peter has worked as a news and culture writer and editor at The Week since the site's launch in 2008. He covers politics, world affairs, religion and cultural currents. His journalism career began as a copy editor at a financial newswire and has included editorial positions at The New York Times Magazine, Facts on File, and Oregon State University.
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