Grimsby: 'two fingers up at Benefits Street pity porn'
Sacha Baron Cohen's spy film mixes 'gleeful comic set-pieces' with 'action worthy of Jason Bourne'
Sacha Baron Cohen's spy comedy Grimsby opens in the UK this week – will it do for the north of England what Borat did for Kazakhstan?
The action comedy, known as The Brother's Grimsby in the US, is directed by Now You See Me's Louis Leterrier and co-written by Baron Cohen, who stars alongside wife Isla Fisher and a cast featuring Mark Strong, Rebel Wilson, Penelope Cruz and Ian McShane.
Grimsby tells the story of British black-ops spy Agent Sebastian Grimsby (Strong), who must team up with his long-lost brother Nobby (Baron Cohen) to foil an evil plot by rich villains to rid the world of the working classes.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
It has been met with mixed responses from the critics.
This "globe-trotting gross-out caper" satirises the establishment with "ribald and corrosive glee", says Robbie Collin in the Daily Telegraph. The jokes are never at the expense of northerner Nobby and the script "keeps punching in the right direction – that's upwards".
While it's never as devastating as Baron Cohan's films Borat or Bruno, "it's a vital, lavish, venomously profane two fingers up at Benefits Street pity porn". Collins adds: "I laughed, winced, gagged, then laughed even more."
It certainly takes the grim out of Grimsby, says Geoffrey Macnab in The Independent. The film could easily have seemed patronising and caricatured in its use of northern stereotypes but instead, "it combines gleeful comic set-pieces with action sequences worthy of Jason Bourne".
For all of its Viz-like humour and delight in obscenity, he adds, "this is also a family movie: a rousing, feel-good tale of a Grimsby everyman taking on and beating the world".
Indeed, says Dave Calhoun in Time Out, fears that Grimsby might poke fun at the likes of Nobby disappear when you realise he's "just an excuse to catapult a clown, any clown would do, into scenarios as far-flung and unlikely as a South African game reserve, a World Health Organisation conference in London and a football final in Chile".
Grimsby is chaotic and crude and never far from a punchline involving genitals, admits Calhoun. "But its lack of sophistication, like its odd mix of souped-up action and base comedy, ultimately feels like a badge of honour."
But Peter Bradshaw in The Guardian says the film "basically defeated my attempts to like it", with Nobby feeling dated and off-target and his northern accent often missing the mark.
Grimsby has the occasional laugh and "a succession of finely wrought gross-out spectaculars which are reasonably entertaining", he admits, but the weird overall effect is like children's television "produced on a lavish scale with added filth".
Baron Cohen has had a brilliant run with his character comedy but "his unique talent needs to take another direction", concludes Bradshaw.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Geoff Capes obituary: shot-putter who became the World’s Strongest Man
In the Spotlight The 'mighty figure' was a two-time Commonwealth Champion and world-record holder
By The Week UK Published
-
Israel attacks Iran: a 'limited' retaliation
Talking Point Iran's humiliated leaders must decide how to respond to Netanyahu's measured strike
By The Week UK Published
-
Crossword: November 2, 2024
The Week's daily crossword puzzle
By The Week Staff Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published
-
Twisters review: 'warm-blooded' film explores dangerous weather
The Week Recommends The film, focusing on 'tornado wranglers', stars Daisy Edgar-Jones and Glen Powell
By The Week UK Published