Larry Fink has built a creative career on contradictions. Describing himself as a "Marxist from Long Island", he made a name for himself documenting the US's upper classes. And it is perhaps his best-known work – the monograph Social Graces, shot in his trademark black and white in the late 1970s – that best captures this juxtaposition, contrasting the lives of well-to-do urban New Yorkers against those of rural Pennsylvanians.
A new exhibition of his work, unearthing photographs that haven't been displayed for decades, once again explores the human experience behind social divides. Fink on Warhol: New York Photographs of the 1960s showcases images of the famed avant-garde artist during the halcyon days of his Silver Factory alongside those who frequented it – including Lou Reed and the Velvet Underground, Ingrid Superstar, Susanna Campbell and Gerard Malanga – all shot in 1966 on assignment for the newspaper East Side Review.
In contrast, it also features compelling images from 1964 to 1968, when Fink was entrenched in the political and protest movements of the decade. The photographs document the deep tensions that underscored society at the time, as the fight for civil rights and anti-war sentiment came into the spotlight.
The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The series will be on display at the Spazio Damiani, Bologna, from 17 February until 30 April, while an accompanying book, showcasing the complete set of 80 previously unpublished images, will be available from 30 March.
Fink on Warhol: New York Photographs of the 1960s will be at the Spazio Damiani, Via dello Scalo, Bologna from 17 February until 30 April. An accompanying book of the same name will be published by Damiani on 30 March 2017, £38; damianieditore.com
-
August 31 editorial cartoonsCartoons Sunday’s political cartoons include FEMA's new scheme, Gavin Newsom's antics, and a clue in the Epstein files
-
Disarming Hezbollah: Lebanon's risky missionTalking Point Iran-backed militia has brought 'nothing but war, division and misery', but rooting them out for good is a daunting and dangerous task
-
Woof! Britain's love affair with dogsThe Explainer The UK's canine population is booming. What does that mean for man's best friend?
-
Resistance: 'compelling' show captures a century of protestThe Week Recommends Turner prizewinner Steve McQueen curates 'fascinating' photography exhibition in Margate
-
7 inspired museum exhibitions to see this summerThe Week Recommends Explore the works of Dalí, O'Keeffe and KAWS
-
Francesca Woodman and Julia Margaret Cameron: experimental portrait photographythe week recommends Their careers are separated by time but joined by their shared interest in spectral, dream-like atmospheres
-
Chris Killip: Retrospective at The Photographers’ Gallery reviewThe Week Recommends Superb and timely exhibition features ‘beautiful and painfully moving’ images
-
Vivian Maier: Anthology – this MK Gallery show is ‘pure pleasure’The Week Recommends Exhibition marks first time that Maier’s photography has been shown in the UK
-
Magnum Photos: Where Ideas Are Born – 20th century art icons in their studiosUnder the Radar An intimate look at modern and contemporary masters shot by legendary Magnum photographers
-
World Press Photo 2020: the most striking imagesThe Week Recommends Foundation releases array of moving international pictures from last year
-
Interview: photographer Nick KnightIn Depth The revered fashion photographer on his passion for English garden roses
