Blade Runner 2049: everything you need to know
Is the long-awaited sequel to the sci-fi classic a masterpiece - or a ‘soulless' replicant?
Blade Runner got mixed reviews when it was released 35 years ago yet is now regarded as a sci-fi masterpiece.
So will the highly anticipated follow-up to the Ridley Scott original, Blade Runner 2049, released in the UK today, prove to be another classic?
Here’s what you need to know.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus analysis from multiple perspectives.
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Good News Newsletter, get the best of The Week delivered directly to your inbox.
The movie
Directed by Denis Villeneuve, Blade Runner 2049 stars Ryan Gosling alongside Harrison Ford, who reprises his role as Deckard in the original film.
The script is co-written by Hampton Fancher, who penned the original Blade Runner script - based on Philip K. Dick’s 1968 novel Do Androids Dream of Electric Sheep? - and Logan writer Michael Green.
The film is set in 2049 in a dystopian Los Angeles, where bioengineered humanoid replicants have become integrated into society. One such android, K (Gosling), works as a "blade runner" for the Los Angeles Police Department, hunting down and “retiring” older rogue model replicants.
During his investigations he discovers a secret with huge implications for society, prompting him to track down former blade runner Deckard, who went missing 30 years earlier.
The Reaction
In The Daily Telegraph, Robbie Collin calls Blade Runner 2049 “one of the most spectacular, provocative, profound and spiritually staggering blockbusters of our time”.
According to Collin, this is no “wham-bam slab of save-the-world sci-fi”, but rather a slow-burning future-noir mystery “about a missing child, and the existential crisis the case triggers in its investigating agent”.
The cinematography is “head-spinning”, Gosling is “magnetically inscrutable” as K, and Ford’s Deckard is “extraordinary”, the critic adds.
The Wall Street Journal's Joe Morgenstern says that the big question for those who love the original has been whether the new film “would be a kind of replicant, a soulless simulacra” of the original.
Fortunately, says Morgenstern, Villeneuve has renewed Scott’s classic with “soulful beauty”, while returning hero Ford is “a revelation”.
Dan Jolin in Empire agrees, saying the new film is as “bold as the original” and “even more beautiful (especially if you see it in Imax)”. This sequel is “visually immaculate, swirling with themes as heart-rending as they are mind-twisting”, he adds, and “without doubt” one of 2017’s best films.
Will it be a hit?
The original Blade Runner projected a drab, dark vision of the future that didn’t go down well when it was initially released, in 1982. Back then, critics and audiences generally preferred the shinier, happier visions of Flash Gordon, ET and the Star Wars films, says Brian Raftery in Wired. Now, the sequel promises “an even darker vision” of the future, “amping up the dystopic futurism-funk”, he says.
The Los Angeles of 2049 features the Sepulveda Pass, a huge wall that keeps the rising oceans at bay, says Raftery, which “feels a little too close to our current reality”.
Yet as that once far-off dystopia seems to draw ever nearer, he adds, that “very closeness” could help 2049 succeed where Blade Runner first failed.
Will there be more sequels?
Ben Child in The Guardian believes it’s a definite possibility. One reason Blade Runner 2049 seemed like a good idea was because "the first movie left so many plot threads open-ended", says the critic.
The “equally nebulous sequel” works as a standalone film, Child says, yet leaves us wanting to find out more about this “eternally dusky California and its grimly eccentric inhabitants”.
Sign up for Today's Best Articles in your inbox
A free daily email with the biggest news stories of the day – and the best features from TheWeek.com
-
Today's political cartoons - November 2, 2024
Cartoons Saturday's cartoons - anti-fascism, early voter turnout, and more
By The Week US Published
-
Geoff Capes obituary: shot-putter who became the World’s Strongest Man
In the Spotlight The 'mighty figure' was a two-time Commonwealth Champion and world-record holder
By The Week UK Published
-
Israel attacks Iran: a 'limited' retaliation
Talking Point Iran's humiliated leaders must decide how to respond to Netanyahu's measured strike
By The Week UK Published
-
The Count of Monte Cristo review: 'indecently spectacular' adaptation
The Week Recommends Dumas's classic 19th-century novel is once again given new life in this 'fast-moving' film
By The Week UK Published
-
Death of England: Closing Time review – 'bold, brash reflection on racism'
The Week Recommends The final part of this trilogy deftly explores rising political tensions across the country
By The Week UK Published
-
Sing Sing review: prison drama bursts with 'charm, energy and optimism'
The Week Recommends Colman Domingo plays a real-life prisoner in a performance likely to be an Oscars shoo-in
By The Week UK Published
-
Kaos review: comic retelling of Greek mythology starring Jeff Goldblum
The Week Recommends The new series captures audiences as it 'never takes itself too seriously'
By The Week UK Published
-
Blink Twice review: a 'stylish and savage' black comedy thriller
The Week Recommends Channing Tatum and Naomi Ackie stun in this film on the hedonistic rich directed by Zoë Kravitz
By The Week UK Published
-
Shifters review: 'beautiful' new romantic comedy offers 'bittersweet tenderness'
The Week Recommends The 'inventive, emotionally astute writing' leaves audiences gripped throughout
By The Week UK Published
-
How to do F1: British Grand Prix 2025
The Week Recommends One of the biggest events of the motorsports calendar is back and better than ever
By Rebekah Evans, The Week UK Published
-
Twisters review: 'warm-blooded' film explores dangerous weather
The Week Recommends The film, focusing on 'tornado wranglers', stars Daisy Edgar-Jones and Glen Powell
By The Week UK Published